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16

Article: Album Review

Chris McCarthy: Still Time to Quit

Read "Still Time to Quit" reviewed by Friedrich Kunzmann


Only two minutes into “That's All You Get," the opening track to pianist Chris McCarthy's debut recording for Ropeadope Records, Still Time To Quit, and already it seems that everything that had to be said was said. Maybe that's why at this point the track coincidentally also reaches its end. A savage yet controlled display of ...

Article: Album Review

The Mark Harvey Group: A Rite for All Souls

Read "A Rite for All Souls" reviewed by Alberto Bazzurro


Due anni pima di dar vita alla sua creatura per eccellenza, l'Aardvark Jazz Orchestra, il trombettista bostoniano Mark Harvey si era reso protagonista alla testa del suo quartetto dell'epoca della memorabile performance oggi quanto mai meritoriamente dissotterrata dall'oblio grazie all'Americas Musicwords. Era il 31 ottobre 1971 allorché all'Old West Church di Boston andava in scena questo ...

10

Article: Book Review

Ornette Coleman: The Territory And The Adventure

Read "Ornette Coleman: The Territory And The Adventure" reviewed by S.G Provizer


Ornette Coleman: The Territory And The Adventure Maria Golia 368 Pages ISBN: #9781789142235 University of Chicago Press 2020 Ornette Coleman holds a singular place in jazz history. The seeds of change in jazz had been sewn by Cecil Taylor, Sun Ra, John Coltrane and their cohorts, but Coleman's ...

6

Article: Album Review

Michael Thomas: Event Horizon

Read "Event Horizon" reviewed by Jerome Wilson


Jimmy Katz seems to really be onto something with his Giant Step Arts label. Begun in 2018, the label has established a tradition of recording live performances by modern jazz musicians given complete freedom of repertoire and personnel. That approach has produced several outstanding releases including, earlier this year, The Concert: 12 Musings For Isabella, (Giant ...

14

Article: Album Review

Anna Hogberg Attack: lena

Read "lena" reviewed by John Sharpe


It is a well known gambit to start an album with one of its strongest tracks. But it must have been a difficult choice for Swedish band leader and saxophonist Anna Högberg when programming her group Attack's second release. That she chose “Pappa Kom Hem," which opens with a sustained stentorian bellow from tenor saxophonist Elin ...

5

Article: Album Review

New York Contemporary Five: Consequences Revisited

Read "Consequences Revisited" reviewed by Mark Corroto


This 2020 reissue of the New York Contemporary Five recordings from 1963-64 can't help but draw one's attention to the social unrest occurring in America in 2020. In 1964 the riots in Harlem and Philadelphia over police brutality were followed by similar riots a few years later in Watts, Newark, Detroit, etc. In the growing civil ...

13

Article: Multiple Reviews

We Jazz Live: Jazz From Finland

Read "We Jazz Live: Jazz From Finland" reviewed by Friedrich Kunzmann


Documenting the Finnish label We Jazz Records' ongoing live activities, the “We Jazz Live Plates" volumes present a fairly complete overview of the label's roster of talent in a live environment. Volumes 2 and 3 of this project have been released together and present recordings of various projects' performances at the Ateneum Art Museum in Helsinki ...

5

Article: Album Review

Paul Flaherty / Randall Colbourne / James Chumley Hunt / Mike Roberson: Borrowed From Children

Read "Borrowed From Children" reviewed by Mark Corroto


Let's misquote a Rolling Stones' lyric here, with the music of Paul Flaherty “you can always get what you want," and maybe to a greater extent, “you get what you need." For more decades than he might want to count, the saxophonist has been making his self-described 'hated music.' We're talking hate as in a bugaboo, ...

59

Article: Building a Jazz Library

Jazz & Film: An Alternative Top 20 Soundtrack Albums

Read "Jazz & Film: An Alternative Top 20 Soundtrack Albums" reviewed by Chris May


Jazz and the movies have a shared history stretching back almost a hundred years. The relationship came into its own in the US in the mid twentieth century. Elia Kazan's 1950 movie Panic In The Streets is an early example of how film makers used jazz-based soundtracks to enhance drama and atmosphere and create ambiances of ...

2

Article: Album Review

Adam Rudolph / Ralph M. Jones / Hamid Drake: Imaginary Archipelago

Read "Imaginary Archipelago" reviewed by Mark Corroto


Often the music of Adam Rudolph can be a bit intimidating. An authority in Afro-Cuban, Indian, West Africa musics and jazz, Rudolph's performances remind budding ethnomusicologists and jazz critics their knowledge inhabits a very provincial realm. Luckily that intimidation is reserved to academics and writers. The remaining listening audience is free to enjoy these sounds associated ...


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