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New England Conservatory Celebrates 40th Anniversary of Ground-Breaking Jazz Studies Program
Boston Festivities Take Place October 18 – 24, 2009 with 7 Nights of Concerts Plus Workshops and Free Community Events Highlights include Wayne Shorter Quartet and the NEC Philharmonia on Saturday, October 24; NEC Jazz Summit on Friday, October 23 with Faculty and Alums including Gunther Schuller, Carl Atkins, Roger Kellaway, Ran Blake, Don Byron, Bob ...
Mike DiRubbo: Repercussion
by C. Michael Bailey
The immediate appeal of alto saxophonist Mike DiRubbo's Repercussion is the replacement of the piano by the vibraphone as the rhythm section's harmony instrument. Guitar-based and piano-less rhythm sections have made their way into the mainstream, leaving the vibraphone-based rhythm section still a novelty. DiRubbo is certainly not the first to employ such a format. Trombonist ...
Chad McCullough: Playing to the Gig
by John Barron
Seattle trumpeter Chad McCullough has been working hard to garner a reputation in his hometown and beyond as a versatile, creative musician. McCullough has performed with a wide range of artists, including Jay Thomas, Claudio Roditi, Marc Seales, Thomas Marriott, Ingrid Jensen and Bob Florence. He's toured extensively with the Glenn Miller Orchestra in the jazz ...
JJA's 13th Annual Jazz Awards - Join Us!
Mark your calendar! 13th Annual JJA Jazz Awards June 16, 2009 3:00-6:00pm at The Jazz Standard 116 E. 27th Street New York, NY Join us at the JJA's 13th Annual Jazz Awards as we... Announce our 2009 award winners (see nominees below) Honor winners and nominees ...
Allen Toussaint: The Bright Mississippi
by Joel Roberts
Pianist, writer, producer and arranger Allen Toussaint can justifiably be called a living legend. A member of the Rock and Roll Hall of Fame, he helped define the New Orleans R&B sound of the '60s and '70s through his work with Lee Dorsey, Irma Thomas, The Meters and Dr. John, then went on to collaborate with ...
Don Byron Gospel Project
by AAJ Italy Staff
Milano, Blue Note, 09.05.2009 Una buona notizia: dopo un cartellone invernale decisamente incline al jazz commerciale, il Blue Note Milano torna ad ospitare musicisti di altissimo livello. Una cattiva notizia: l'affluenza di pubblico ai due set del Don Byron Gospel Project è stata modesta. Club mezzo vuoto, che anche il più inguaribile ottimista avrebbe faticato a ...
Allen Toussaint: The Bright Mississippi
by Mike Perciaccante
When asked about Allen Toussaint, Van Dyke Parks once said, “he's the greatest pianist alive, only no one knows it... including him." High praise from one legend to another. With The Bright Mississippi, Toussaint has finally released a jazz-oriented album. Though jazz-influences can be found on many of his rock/funk sides as well as in many ...
Bill Frisell: The Best of Bill Frisell: Vol. 1 - Folk Songs
by John Kelman
Despite decidedly left-of-center beginnings--on his own ECM discs Rambler (1985) and Lookout for Hope (1988), and in collaboration with artists including Jan Garbarek and John Zorn--guitarist Bill Frisell has always been a melodist at heart. Even at his most outré--his oblique yet stunningly constructed solo on “Next Love," from clarinetist Don Byron's minor classic, Tuskegee Experiment ...
Frisell/Carter/Motian; Winter Jazzfest; Gato Barbieri/Poncho Sanchez; George Coleman; Monty Alexander; Lee Konitz
by Martin Longley
Bill Frisell, Ron Carter, Paul MotianThe Blue NoteJanuary 9, 2009It's just over a year since these masters of minimalism were last in residence at The Blue Note. This return shows that they've further refined their rapport, which was already bordering on the telepathic. In this very particular combination, each member ...
Pianist/Arranger Bill Cunliffe Revisits a Jazz Classic with "The Blues and the Abstract Truth, Take 2"
With his new album, The Blues and the Abstract Truth, Take 2, pianist Bill Cunliffe doesn’t so much reinvent a modern jazz classic as open it for incisive interpretation. Working with clean, uncluttered arrangements and a stellar cast of improvisers, Cunliffe explores Oliver Nelson's beloved 1961 album for Impulse! And the results are consistently riveting. Putting ...
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