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3

Article: Profile

Carlos Nathaniel Ward: libertà, spiritualità e rigore

Read "Carlos Nathaniel Ward: libertà, spiritualità e rigore" reviewed by Gaetano Fiore


“Arte e Jazz? Non facile e acritica gestualità ma concentrato di analitica ponderatezza". In occasione di un mio omaggio pittorico espositivo a Bill Dixon a San Vincenzo (LI) nel 2010, Libero Farnè scrive la suddetta frase che ben fa riflettere su quanto sia importante procedere con “lentezza" per tradurre i concetti di libertà, spiritualità ...

1

Article: Multiple Reviews

Giovanni Maier: 5 album tra contrabbasso e violoncello, improvvisazione e standard

Read "Giovanni Maier: 5 album tra contrabbasso e violoncello, improvvisazione e standard" reviewed by Neri Pollastri


Fortemente impegnato nella didattica, coinvolto in alcune formazioni importanti e di lungo periodo --Enten Eller, Eternal Love --e in vari progetti più ristretti, il contrabbassista Giovanni Maier conserva tuttavia un'autonoma vena produttiva che gli permette di registrare ogni anno diversi album in formazioni estemporanee, editi da varie label e dalla sua stessa etichetta indipendente, Palomar Records. ...

8

Article: Album Review

Albert Ayler: Live Greenwich Village To Love Cry Revisited

Read "Live Greenwich Village To Love Cry Revisited" reviewed by John Eyles


When Ezz-thetics' previous Albert Ayler album More Lost Performances Revisited was released in December 2023, it felt as if it might be the label's final Ayler release; not only was it the eleventh of the series but, rather than featuring an Ayler album, it comprised recordings of significant points in Ayler's career such as his playing ...

11

Article: Album Review

Albert Ayler: More Lost Performances Revisited

Read "More Lost Performances Revisited" reviewed by Chris May


A state-of-the-art sonic restoration of obscure but historically important Albert Ayler material by Switzerland's ezz-thetics label, which with its parent label, Hat Hut, has been creating an audiophile archive of Ayler recordings with the support of his estate since 1978. All too often, “more" in an album title means “Beware: barrel scraping in ...

9

Article: Album Review

Luís Vicente 4tet: House In The Valley

Read "House In The Valley" reviewed by Mark Corroto


There is a synergy in simplicity and, with the Luís Vicente 4tet, a simplicity which comes from the synergistic effects of this unpretentious quartet. The four musicians--Portuguese composer, leader & trumpeter Luís Vicente, Dutch drummer Onno Govaert, and the Americans, tenor saxophonist John Dikeman and bassist Luke Stewart--assembled for a series of concerts in Portugal in ...

5

Article: Album Review

Ståhls Trio: Källtorp Sessions Volume Two

Read "Källtorp Sessions Volume Two" reviewed by Mark Corroto


This is the third release by vibraphonist Mattias Ståhl, bassist Joe Williamson and drummer Christopher Cantillo and also the second release to come from the trio's 2017 studio recordings. Källtorp Sessions Volume Two adds trombonist Mats Äleklint on two tracks with Ståhl on soprano saxophone from what one assumes is an additional 2018 studio session.

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Article: Year in Review

Chris May’s Best Releases Of 2020

Read "Chris May’s Best Releases Of 2020" reviewed by Chris May


Not the best year for live gigs in London, but Dele Sosimi's Afrobeat Orchestra just made it under the wire, lighting up the Jazz Cafe in late January. Rather like Art Blakey's Jazz Messengers, Sosimi's band has form as an incubator of young talent. A recent star in the making was trumpeter Ife Ogunjobi, who has ...

5

Article: Album Review

Emma-Jean Thackray: Um Yang

Read "Um Yang" reviewed by Chris May


Right now, in summer 2020, using new and recent releases as the yardstick, the two most exciting musicians on London's alternative jazz scene are trumpeters. One is Laura Jurd, whose recent To The Earth (Edition) is a high-water mark for her electro-acoustic band, Dinosaur. The other is Emma-Jean Thackray, whose EP Um Yang is also remarkable. ...

5

Article: Album Review

Paul Flaherty / Randall Colbourne / James Chumley Hunt / Mike Roberson: Borrowed From Children

Read "Borrowed From Children" reviewed by Mark Corroto


Let's misquote a Rolling Stones' lyric here, with the music of Paul Flaherty “you can always get what you want," and maybe to a greater extent, “you get what you need." For more decades than he might want to count, the saxophonist has been making his self-described 'hated music.' We're talking hate as in a bugaboo, ...

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Article: Live Review

Tri-C JazzFest Cleveland 2012: Days 6-12

Read "Tri-C JazzFest Cleveland 2012: Days 6-12" reviewed by Matt Marshall


Days 1-5 | Days 6-12 33rd Annual Tri-C JazzFest ClevelandCleveland, OhioApril 16-29, 2012 Chapter Index April 24: Ernie Krivda's Thunder From the Heartland April 25: Matt Wilson's Arts & Crafts April 26: The Jack DeJohnette Group April 27: David Sanborn Trio / Trombone Shorty April 28: Diana Krall April ...


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