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395

Article: Album Review

Jimmy Heath Orchestra: Really Big!

Read "Really Big!" reviewed by Joel Roberts


The ten-piece band on this invigorating 1960 Riverside release by Jimmy Heath wasn't “really big, but the talent level of the artists certainly was. How about Clark Terry on trumpet, Nat Adderley on cornet, brother Cannonball on alto sax and either Tommy Flanagan or Cedar Walton on piano? Plus, all three Heath brothers (Jimmy on tenor ...

191

Article: Album Review

Jacky Terrasson: Mirror

Read "Mirror" reviewed by Andrew Velez


Pianist Jacky Terrasson has been on a recording hiatus since his 2003 set Smile (Blue Note), but he's back and swinging with this, his first solo outing, revealingly rich in tempos and colors. Terrasson has an ample supply of virile dynamics that can skillfully dip and slide into all sorts of places and moods. It happens ...

255

Article: Album Review

The Bill Charlap Trio: Live At The Village Vanguard

Read "Live At The Village Vanguard" reviewed by Marcia Hillman


Bill Charlap delivers on this live date with a trio documented on four previous Blue Note releases. Recorded at the Village Vanguard during the club's weeklong 70th anniversary celebration, this CD pulls together a tasty selection of material and even tastier performances. Charlap with Peter Washington (bass) and Kenny Washington (drums) have worked together for a ...

273

Article: Multiple Reviews

50 Years At Monterery: Louis Armstrong, Miles Davis, Thelonious Monk, Dizzy Gillespie and Sarah Vaughan

Read "50 Years At  Monterery: Louis Armstrong, Miles Davis, Thelonious Monk, Dizzy Gillespie and Sarah Vaughan" reviewed by Mark Corroto


Is Monterey, California a perfect location to hold a jazz festival? The answer for the past 50 years has been a resounding “yes." Conceived by Ralph Gleason and Jimmy Lyons, the notion that jazz should and could be presented on a large scale to West Coast audiences was a challenging one. The American government had just ...

683

Article: Profile

Orrin Keepnews' Collection

Read "Orrin Keepnews' Collection" reviewed by Marc Medwin


"Listen," Orrin Keepnews' no-nonsense delivery tempered by a smile. “I'm 84 years old. I'll take my legacies where I can get them," referring to the Keepnews Collection, a series launched this year by Concord Records. An astonishing study in longevity and ingenuity, the multiple facets and accomplishments of Keepnews' career as label maverick, writer ...

434

Article: Album Review

George Russell Sextet: Ezz-Thetics

Read "Ezz-Thetics" reviewed by Troy Collins


A post-war masterpiece, Ezz-Thetics is pianist/arranger George Russell's definitive 1961 sextet recording from the earliest phase of his multi-decade career. On par with such iconic albums as Oliver Nelson's Blues and the Abstract Truth (Impulse!, 1961), Mal Waldron's The Quest (Riverside, 1961) and Andrew Hill's Point of Departure (Blue Note, 1964), Ezz-Thetics traffics in the same ...

270

Article: Multiple Reviews

Kenny Drew: Farmer

Read "Kenny Drew: Farmer" reviewed by Graham L. Flanagan


Art Farmer Farmer's Market (RVG) Blue Note 2007 Kenny Drew Undercurrent Blue Note 2007 Warne Marsh/Kenny Drew In Copenhagen Storyville 2007 ...

416

Article: Album Review

Thelonious Monk: Live at the 1964 Monterey Jazz Festival

Read "Live at the 1964 Monterey Jazz Festival" reviewed by Greg Camphire


As part of the series of recordings launching the Monterey Jazz Festival's new record label, this previously unreleased 1964 set by Thelonious Monk offers a glimpse of the maestro with an augmented version of his working quartet of the time, during which the pianist was finally receiving much-deserved mainstream attention from the public. Monk can be ...

359

Article: Album Review

Charles Mingus Sextet with Eric Dolphy: Cornell 1964

Read "Cornell 1964" reviewed by Mark F. Turner


The hype factor was cranked up considerably in 2005 for the unearthed recording of two jazz legends: John Coltrane and Thelonious Monk's At Carnegie Hall (Blue Note). Things have cooled down a tad since that momentous release but just as exciting and equally important is Cornell 1964 featuring the Charles Mingus Sextet with Eric Dolphy.

365

Article: Album Review

Pat Martino: El Hombre

Read "El Hombre" reviewed by Jim Santella


Recorded May 1, 1967, this session was Pat Martino's first album as leader. His guitar moves valiantly with all the swagger of a cowboy; smoking guns and flying fingers dot the landscape of his trail. The allusion, of course, is to Paul Newman's Western film Hombre that came out the same year. Both ...


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