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Alex Cline: Free-Spirited Drummer
by R.J. DeLuke
West coast drummer/percussionist Alex Cline is a sensitive player with a strong feel for interesting harmonies, shifting voices and changing moods when he writes music. It's a sensitivity not usually associated with drummers. But what's inside Cline, and comes through in his music, is from an artist and a musician, not merely a drummer. ...
Sax & Piano: David Murray and Mal Waldron; Ellery Eskelin and Sylvie Courvoisier
by Kurt Gottschalk
Part of what makes David Murray one of the greatest jazz saxophonists there is is the way he has of making everything seem so effortless. Long, rich, rolling lines seem to flow with ease from his horn. It's that quality that makes a small portion of his enormous discography all the more special. Once in a ...
Alex Cline: Continuation
by Troy Collins
Twin brother of guitarist Nels Cline, percussionist Alex Cline has often been portrayed as the quieter half, with his introspective leanings serving as the delicate yin to Nels' assertive yang. Cross-cultural metaphors aside, Alex's discography is filled with allusions to his longstanding interest in Eastern spirituality. Fittingly, Cline's albums often exude an air of ...
Nels Cline: Coward
by Troy Collins
Since being recruited by Wilco in 2004, guitarist Nels Cline has enjoyed a level of notoriety previously unimaginable for an avant-garde instrumentalist. Cline's career actually dates back to the late seventies, when seminal efforts with his twin brother percussionist Alex Cline, multi-instrumentalist Vinny Golia and bassist Eric von Essen cemented his reputation as a figurehead of ...
Jeff "Tain" Watts: Watts
by Mark F. Turner
Noted for his distinct and propulsive style, the eminent drummer/composer Jeff “Tain" Watts is a longtime member of the Branford Marsalis quartet and a leading sideman for many artists; yet it's his own recordings as a leader that are the most telling. True to form, this eponymous release has plenty of the drummer's fireworks but also ...
Blue Note at 70
by Joel Roberts
No label in jazz can match the history and legacy of Blue Note Records. Since its founding in New York in 1939 by German emigre Alfred Lion, Blue Note has been associated with an amazing assortment of jazz luminaries including Horace Silver, Art Blakey, Jimmy Smith, Lee Morgan, Freddie Hubbard, Joe Henderson, Herbie Hancock, Wayne Shorter, ...
Alex Cline: Continuation
by John Kelman
It's been a long time since percussionist/composer Alex Cline last released an album under his own name. 1999's Sparks Fly Upward and 2001's The Constant Flame (both on Cryptogramophone), culminated his evolving Alex Cline Ensemble, combining measured spontaneity with long-form writing that, in its near-classical approach to compositional development, was a unique confluence of form and ...
Nels Cline: Coward
by John Kelman
Watching guitarist Nels Cline attack his electric axe with an egg whisker at his 2005 International Festival Musique Actuelle Victoriaville performance helps explain the perennial question of how he does what he does, though no single performance sheds a strong enough spotlight on the chameleon-like guitarist's skill. Even when all the guitars and effects used on ...
Quadro Nuevo: Cine Passion
by Jerry D'Souza
When Robert Wolf, Mulo Francel, D. D. Lowka and Heinz-Ludger Jeromin (his place has since been taken by Andreas Hinterseher) were commissioned to write a film score little did they know that fate would play a hand in that meeting. Having completed the assignment, the four found that there was chemistry between them. They decided to ...
Dizzy Gillespie: Showtime at The Spotlite
by George Kanzler
Clark Monroe's Uptown House in Harlem was an incubator of bebop, so it wasn't a surprise that Monroe gave Dizzy Gillespie a venue for reviving his big band at the short-lived (1944 to early 1947) 52nd Street club, The Spotlite, in 1946. Two CDs capture two sets toward the end of that historic engagement in June, ...
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