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Dizzy Reece

Alphonso Son "Dizzy" Reece is a hard bop jazz trumpeter with a distinctive sound and compositional style. Reece was born January 5, 1931 in Kingston, Jamaica, the son of a silent film pianist. He attended the Alpha Boys School (famed in Jamaica for its musical alumni), switching from baritone to trumpet at 14. A full-time musician from age 16, he moved to London in 1948 and spent the 1950s working in Europe, much of that time in Paris. He played with Don Byas, Kenny Clarke, Frank Foster and Thad Jones, among others. Winning praise from the likes of Miles Davis and Sonny Rollins, he emigrated to New York City in 1959, but found New York in the 1960s a struggle

Jazz & Film: An Alternative Top 20 Soundtrack Albums

Read "Jazz & Film: An Alternative Top 20 Soundtrack Albums" reviewed by Chris May

Jazz and the movies have a shared history stretching back almost a hundred years. The relationship came into its own in the US in the mid twentieth century. Elia Kazan's 1950 movie Panic In The Streets is an early example of how film makers used jazz-based soundtracks to enhance drama and atmosphere and create ambiances of ...

ARTICLE: RADIO

Vic Juris & Dizzy Reece

Read "Vic Juris & Dizzy Reece" reviewed by Joe Dimino

We keep our traction here in 2020 as we begin the 629th Episode of Neon Jazz with talented modern day drummer Tyshawn Sorey. We talked about his roots and influneces in jazz and he noted Duke Ellington, John Coltrane and Dizzy Gillespie. From there, we get into new tunes for the new year with Canadian cat ...

ARTICLE: ALBUM REVIEW

Various Artists: Nicola Conte presents Cosmic Forest: The Spiritual Sounds of MPS

Read "Nicola Conte presents Cosmic Forest: The Spiritual Sounds of MPS" reviewed by Chris M. Slawecki

A labor of love, Cosmic Forest was compiled by Italian musician, producer and DJ Nicola Conte to both revisit and present to a new audience Conte's favorite “spiritual jazz" recordings from MPS Records' 1965--'75 catalog. Eight of these thirteen pieces came from albums released as part of the MPS label's mid-1970s “Jazz Meets the World" series ...

Put It Where You Want It (But Find It Where You Put It)

Read "Put It Where You Want It (But Find It Where You Put It)" reviewed by Chris M. Slawecki

Hip Spanic All-Stars Old-School Revolution Self-Produced 2018 If you think that Old School Revolution sounds both familiar and new, you're right. In the late 2000s, bassist and singer Happy Sanchez, saxophonist Norbert Stachel (Tower of Power), percussionist Karl Perazzo (a longstanding member of Santana), ...

Jazz From Around The World: Latin America and the Caribbean

Read "Jazz From Around The World: Latin America and the Caribbean" reviewed by Hrayr Attarian

The focus of the second installment of Jazz from Around the World is Latin America and the Caribbean. Because of both proximity to the US and the shared African heritage, particularly in the Caribbean, jazz was seamlessly and naturally adopted in this part of the world. Of course Latin jazz with its many guises is a ...

Dizzy Reece: Star Bright – 1959

Read "Dizzy Reece: Star Bright – 1959" reviewed by Marc Davis

In the 1950s and '60s, there were two jazz trumpeters named Dizzy. One was famous. This is the other guy. Dizzy Reece is a pretty obscure name, even among Blue Note fans. He was a young hard bop trumpeter from Jamaica who spent most of the 1950s playing in Europe, recorded four very good ...

Duke Jordan: Flight to Jordan - 1960

Read "Duke Jordan: Flight to Jordan - 1960" reviewed by Marc Davis

If this isn't a perfect hard bop record, it comes awfully close. And coming from an artist who is virtually forgotten, it's all the sweeter. Duke Jordan was an A-list pianist who was there at the birth of bebop. He was part of Charlie Parker's classic quintet in 1947. So why don't we know ...

ARTICLE: EXTENDED ANALYSIS

Everyone's Buzzin': The Complete Bee Hive Sessions

Read "Everyone's Buzzin': The Complete Bee Hive Sessions" reviewed by David Rickert

The idea behind Jim and Susan Neumann's Bee Hive label was simple: gather together a bunch of great musicians for recording dates and let them play whatever they wanted. The sessions were led by talented musicians who may not have received the recognition they deserved in the jazz heyday of the fifties and early sixties -names ...

ARTICLE: PROFILE

Will The Real Joe Harriott Please Stand Up?

Read "Will The Real Joe Harriott Please Stand Up?" reviewed by Duncan Heining

The Jamaican saxophhonist Joe Harriott was, without doubt, one of the most important and innovative jazz musicians to emerge in Britain in the fifties and early sixties. He arrived in Britain in 1951 with Ozzie Da Costa's band, which was en route for an engagement in Germany playing US army bases. Much to his erstwhile boss's ...


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