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Victor Assis Brasil: Esperanto/Toca Antonio Carlos Jobim

by Chris M. Slawecki
By the summer of 1970, popular music's lunatic joyride through the 1960s had fully careened into the new decade. Almost anything and everything still seemed possible. That summer, saxophonist Victor Assis Brasil returned to his home in Brazil from studies (alongside Dizzy Gillespie, Chick Corea, Ron Carter, and others) at the Berklee College of Music to ...
Jazz Ambassadors: Representing A Segregated America During The Cold War

by Victor L. Schermer
Jazz Ambassadors THIRTEEN Productions 2018 Here, long overdue, is a comprehensive documentary about the legendary jazz musicians in the 1950s who served as cultural ambassadors" under the aegis of the U.S. State Department, touring Europe, Asia, Africa, and the Soviet Union. The film comes sixty years after the fact. As Americans continue ...
Fat Kid Big Band: New Beginnings

by Jack Bowers
Note to Montreal's Fat Kid Big Band: If you really want to make a favorable first impression on your audience, move the opening track on New Beginnings, Bustin' My Ass," and replace it with any of the album's five instrumental numbers. Nothing personal, and no disrespect meant to singer Othniel PF, but why would a big ...
Vuma Levin: Musical Painting

by Seton Hawkins
South African guitarist and composer Vuma Levin has been receiving significant accolades in local and international circles, and it's easy to see why. A thoughtful, intelligent improviser and bandleader, Levin is also a highly thought-provoking composer, one intent on exploring the music's role in commenting on and shaping societal discourse. Indeed, with last year's ...
From Choro to Chaos

by Chris M. Slawecki
Berkeley Choro Ensemble The View from Here Self-Produced 2017 Like its organic natural wonders, the music of Brazil seems to flourish in different forms and styles of beauty. But much of its music has grown from the root of choro: Born in the mid-to late-1800s from the joining ...
Arturo O'Farrill, Chucho Valdes: Familia: Tribute to Bebo & Chico

by Angelo Leonardi
Dizzy Gillespie ricordava con amarezza il modo con cui la critica jazz aveva trattato la sua collaborazione col conguero Chano Pozo, giudicandola un'eccentricità marginale. Il trombettista la giudicava invece il momento culminante della sua carriera. Quell'atteggiamento verso il cosiddetto Latin Jazz è ancora diffuso e il multiforme terreno d'incontro tra jazz e musiche dei caraibi è ...
Tamuz Nissim: Echo of a Heartbeat

by Jerome Wilson
Tamuz Nissim is a young woman in the classic mold of a jazz singer. She can interpret lyrics sensitively, breeze through instrumental pieces with adept use of vocalese and scatting, and even write her own songs. She is originally from Tel Aviv but has lived in New York since 2015 and has cultivated relationships with several ...
State and Mainstream: The Jazz Ambassadors and the U.S. State Department

by Karl Ackermann
The Cold War that began in 1947 and ran for forty-four years, had jazz music as its primary deterrent to global tensions, and it did more to foster good will between the U.S. and global citizens than any previous program launched by the U.S. Department of State. Jazz music, even in its Golden Age, was seldom ...
Linley Hamilton: Strings Attached

by Ian Patterson
Nearly all recordings are labours of love. Passion and a huge amount of work are the essential ingredients. Some recordings in particular, however, mark the realization of a life-long dream. For Northern Irish trumpeter, BBC jazz broadcaster and university lecturer Linley Hamilton, Making Other Arrangements (Teddy D Records, 2018) is just such a recording.
A Day at AAJ

by Jeff Fitzgerald, Genius
One of the main benefits of being the Dean of American Jazz Humorists©, besides a free Orange Julius whenever I want one (at participating locations) and 2-for-1 Redbox rentals, is my unfettered access to the inner workings of the entire Jazz universe. As a member of AAJ's Inner Sanctum, I am no more than three degrees ...