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Results for "Dizzy Gillespie"
The Art of the Trio: John Patitucci, Kurt Rosenwinkel, Marcus Strickland
by J Hunter
Pianist Brad Mehldau got flak for naming a series of discs “The Art of the Trio." But it really is an art, and no more so than when the lead instrument is not a piano, or any member of the keyboard family. Think about it. Without the myriad capabilities of Mehldau's instrument, a trio's leader must ...
Arturo O'Farrill: Risa Negra
by Joel Roberts
Pianist, composer and bandleader Arturo O'Farrill is Latin jazz royalty. The son of the legendary Chico O'Farrill, whose collaborations with Charlie Parker and Dizzy Gillespie helped create the genre (and whose best-known composition, “Manteca," is reason enough for his status as a jazz icon), Arturo has long been a major innovator in his own right, with ...
Strike Up the (Unsung) Bands
by Jack Bowers
The big band era is known for producing a number of enormously successful ensembles whose leaders were household names: Louis Armstrong, Duke Ellington, Count Basie, Jimmie Lunceford, Fletcher Henderson, then on through Glenn Miller, Benny Goodman, the brothers Jimmy Dorsey and Tommy Dorsey, Charlie Barnet, Artie Shaw, Harry James, Cab Calloway, Lionel Hampton, Dizzy Gillespie and, ...
A Fascinating Exhibition in Paris, France, That Pays Homage to Miles Davis (1926 - 1991)
By Regine Coqueran-Gelin The exhibition “We want Miles - Miles Davis le jazz face a sa legende" is on until the 17th January 2010 at the Musee de la musique in La Villette, in Paris, France. It is an unusual exhibition that gives jazz a rare opportunity to look inside itself and to be seen and ...
Christian McBride: Getting the Inside Straight
by Esther Berlanga-Ryan
If we think about it for a little while, it's possible to believe that there is something almost mystic and undeniably powerful about jazz. The way it developed through the years and its constant ignition-like energy; the creativity of those who lead the way and those who continue the journey today; the improvisation that takes over ...
Myron Walden: Eclectic Reedman
by Edward Bride
In words often used to describe the music of Duke Ellington, Myron Walden is a saxophonist beyond category. More so than many other musicians, Walden himself eschews reliance on any one instrument, not tenor or alto nor soprano nor bass nor... well, you get the idea. The voice that he is striving to use in any ...
James Moody: 4A
by Edward Blanco
Saxophonist James Moody has been an important fixture in the jazz world since the late 1940s, when he emerged and gained notice as a member of the Dizzy Gillespie Orchestra. Now, a robust 84 years young, Moody offers 4A, the first release from a two-day recording session which took place in July of 2008 with the ...
Art Pepper: The Art History Project
by Mark Corroto
The tragic jazz life and death story of saxophonist Art Pepper was similar to that of Charlie Parker in many ways. Like Bird's brilliance, Art Pepper's intense flame burned bright, and his genius with the saxophone was subject to fan adoration and critical admiration. Unlike Parker, who died at age 35, Pepper lived into his mid-50s, ...
Salute to Stan Kenton: Artistry in Contrast
by Jack Bowers
Artistry in Rhythm, the Ken Poston / Los Angeles Jazz Institute's 2009 homage to the renowned bandleader Stan Kenton, was held October 8-11 at the Sheraton LAX Four Points Hotel. As always, there was much to see, hear and admire: films, panel discussions, special presentations and, last but not least, no fewer than nineteen concerts by ...
Max Roach & Archie Shepp: The Long March
by Glenn Astarita
Bebop was considered a radical departure for jazz music during its formation in the 1940s and 1950s, pioneered by drummer Max Roach, Charlie Parker and Dizzy Gillespie among others. Coupled with tenor saxophonist Archie Shepp's 1960s avant-garde jazz proclivities, the artists respectively helped procure a prismatic and non-traditional perspective on the jazz idiom. However, their discographies ...
