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Dick Oatts
Born:
Born and raised in the state of Iowa, Dick Oatts was brought up in a musical family. He was introduced to the saxophone by his father Jack Oatts, a respected jazz educator and saxophonist. After high school, Dick attended Drake University and in 1972 he began his professional career in Minneapolis/St. Paul.
Oatts moved to NYC in 1977. Shortly there after, joined the Thad Jones / Mel Lewis Orchestra. Since then, he has toured, recorded, and performed as a sideman in small groups with Bob Brookmeyer, Red Rodney, Eddie Gomez, Mel Lewis, Jerry Bergonzi, Joe Lovano, Dom Salvador, Vic Juris, Soren Moller, Terell Stafford, Ray Mantilla, Jon Faddis, David Berkman, Flim & the BBs, Ray Mantilla, Fred Hersch, Joe Morello, Lalo Schiffrin and several others.
His Big Band and large ensemble experience include Thad Jones/Mel Lewis Orch,, The Mel Lewis Jazz Orch., Vanguard Jazz Orchestra, Carnegie Hall Jazz Band, Jon Faddis Jazz Band, Tito Puente, Lester Bowie, Sam Jones/Tom Harrell, Jim McNeely, Kenny Wheeler, Joe Lovano Paquito D'Rivera,and Gunther Schuller
Constant Renaissance
Label: BCM&D Records
Released: 2019
Track listing: Bebop Elation; Solace and Inspiration; Love, A Beautiful Force.
New releases and a special focus on albums from Diane Roblin and Chelsea McBride
by Bob Osborne
Another show packed with new music with a focus on new releases from Diane Roblin and Chelsea McBride. Diane Roblin's spirited debut release Reconnect made the jazz charts and received airplay around the globe. Now she offers a second album of high energy music from the heart entitled Life Force featuring an explosive six piece band. ...
Rick Lawn: The Evolution of Big Band Sounds in America
by Victor L. Schermer
From the latter part of the Jazz Age through the Swing Era, big bands dominated the jazz scene and a large part of the entertainment industry. After World War II, their fortunes declined, but their music soared to new heights, spurred on by innovative leaders, instrumentalists, and very importantly, the composers/arrangers who worked behind the scenes ...
The Jazz Orchestra of Philadelphia with Joey DeFrancesco at the Kimmel Center
by Victor L. Schermer
The Jazz Orchestra of Philadelphia with Joey DeFrancesco Kimmel Center for the Performing Arts Philadelphia, PA June 1, 2019 The Jazz Orchestra of Philadelphia (JOP), under the leadership of trumpeter Terell Stafford, has produced a series of action-packed concerts at the Kimmel Center, featuring special guest artists, all ...
Harold Danko: His Own Sound, His Own Time
by Jakob Baekgaard
The famous sculptor, Henry Moore, hit the nail on the head when he said: “there's no retirement for an artist, it's your way of living so there's no end to it." This statement certainly rings true in the case of pianist and composer, Harold Danko. Even though he has retired from a long and distinguished career ...
Terell Stafford/Dick Oatts/Bruce Barth/Tim Warfield/David Wong/Byron Landham: Family Feeling
by Dan Bilawsky
It's not uncommon for a familial air to surround a band or a recording session. The bonds forged through the music, after all, play up trust and sympathies to a high degree. But some albums even go a step beyond that norm in their connective magnetism, and this is most certainly one of them.
A Family Feeling: Temple University Jazz Faculty Record New Music By Bruce Barth
In June, six members of Temple University’s noted jazz faculty gathered in Bunker Hill Studio in Brooklyn to record eight tracks of new music composed by Bruce Barth. Terell Stafford, director of Jazz Studies at Temple, lead the charge and the result, Family Feeling, is a reflection on the warm camaraderie between Terell Stafford (trumpet); Dick ...
Use Your Imagination
By Dick Oatts
Label: Steeplechase Productions
Released: 2017
Track listing: Yesteryear; Do Da Day; Speaking Relative; Como Uno; Lossofyou; Use Your
Imagination; Midwest Mideast; Game Show
Dick Oatts: Use Your Imagination
by David A. Orthmann
At two adjacent points in this admirable recording, alto saxophonist Dick Oatts makes riveting, emotionally resonant sounds that transcend matters of style, execution and technique. These memorable moments stand apart from the customary pleasures and somewhat cerebral considerations of lending an ear to a jazz record. In both instances, Oatts' isn't intentionally tugging at heartstrings or ...
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