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Article: Multiple Reviews
Two Sides Of The Oud: Dhafer Youssef & Amos Hoffman
by Eyal Hareuveni
Over the last decade the oud, the Middle Eastern lute, has become a beguiling and familiar sound on culturally outward-looking jazz recordings. Tunisian player Anouar Brahem has expanded the vocabulary of the instrument with every new recording, and Lebanese player Rabih Abou-Khalil has presented it as a frontline voice in modern settings. On Divine Shadows, his ...