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Going Solo: One is NOT the Loneliest Number
by Mark Corroto
With the advent of new and affordable recording technologies capable of delivering exceptionally high quality sound, the market for idiosyncratic solo recordings is flourishing--in an era when so many are lamenting the death of jazz. Released mostly on small labels or as self-produced projects, the recordings are reminiscent of the cassette culture from the DIY 1980s ...
Weasel Walter/ Mary Halvorson/ Peter Evans: Electric Fruit
by Mark Corroto
The meeting of guitarist Mary Halvorson, trumpeter Peter Evans, and drummer Weasel Walter is something more than an informal chinwag and something less than a formal colloquy. These six improvised tracks act as a show-and- tell demonstration of the immense talents of tomorrow's--and, maybe today's--creative giants.In the past few years, Halvorson's trio disc, Dragon's ...
1970s Incus: Old and New
by John Eyles
Coincidentally, two recent releases, one a reissue on Emanem, the second an album of previously unissued material on Incus, put the spotlight on the Incus label in the mid 1970s. This was a time when the so-called “second generation of free improvisers" was emerging. At the time, the first generation--including Incus proprietors guitarist Derek Bailey, saxophonist ...
Pierre Favre / Philipp Schaufelberger: Albatros
by Nic Jones
A sense of “music-minus-one" is pretty pervasive on Albatros. Regardless of what instrument is played, the presence of an additional musician might have elevated the music and the discourse from which it springs, to a more ear-catching level than that attained by this configuration of musicians. As it is, this duo of guitar and drums is ...
Tampere Jazz Happening 2010: Days 3-4, November 6-7, 2010
by John Kelman
Day 1 | Day 2 | Days 3-4 Tampere Jazz HappeningTampere, FinlandNovember 4-7, 2010 While most festivals aim to keep the energy, commitment and creativity levels high, few succeed at starting with a high bar and raising it continuously throughout the course of the event. While the first two days of ...
Nobu Stowe: Beyond Free
by Glenn Astarita
The music of NS (Nobu) Stowe is synonymous with the musical storytelling characterized with spontaneity and melodic romanticism--a true rarity in the field of fully improvised music. Stowe has not only mastered the art of total improvisation--a method of fully improvised music that embraces song-like melody, tonal harmony and rhythmic propulsion as well as more commonly ...
In Praise of John Russell
by John Eyles
English guitarist John Russell is from the wave of free improvisers who came after the so-called first generation typified by such “founding fathers" as guitarist Derek Bailey, saxophonist Evan Parker, trombonist Paul Rutherford and drummer John Stevens. In his teens, Russell played at the Little Theatre Club, the cradle of free improv in London, and took ...
Anthony Braxton / Jerry Hemmingway: Old Dogs
by Mark Corroto
It is very difficult to separate the music of saxophonist Anthony Braxton and percussionist Gerry Hemingway from the actual experience of listening to four-disc, four-plus hour Old Dogs (2007). Each disc represents a morning or afternoon's work, recorded at Wesleyan University in early August, 2007, requiring almost complete immersion--letting go each moment, as it passes. There ...
Copenhagen Jazz Festival 2010
by Jakob Baekgaard
Copenhagen Jazz FestivalVarious VenuesCopenhagen, DenmarkJuly 2-11, 2010 With the current crisis of the major record labels and the folding of venues all over the world, it could be argued that jazz, as an art form, has entered the age of survival where it is simply a basic matter of keeping ...
