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Xhosa Cole: Ibeji
by Karl Ackermann
Few places on the global jazz scene are enjoying the enthusiastic resurgence of the genre more than the UK. Names that are becoming more familiar—Binker Golding, Nubya Garcia, Idris Rahman, Shabaka Hutchings and others—have triggered something of a youth movement. Emerging in that group is yet another top-notch saxophonist, Xhosa Cole. Cole's sophomore release, Ibeji is ...
Mirna Bogdanović: L'arte del confronto
by Serena Antinucci
Ci vuole una fervida immaginazione per raggiungere luoghi diversi stando fermi. È quello che accade ascoltando il disco d'esordio della giovane cantante sloveno-bosniaca, di base a Berlino, Mirna Bogdanović. La tradizione si apre verso direzioni contemporanee, più istintive, non resta ferma, si mostra accogliente ed è pronta a cambiare rotta senza preavviso, né regole. Confrontation da ...
Joy On Fire: Hymn
by Gareth Thompson
The industrial anarchists Throbbing Gristle stood by their notion that noise and frequency could change states of consciousness. Listening to saxophonist Anna Meadors of Joy On Fire, with her pitch-shifting and time-stretching, might back this idea up. Certainly the audience enters many realms of awareness on the band's album Hymn . Even the cover artwork, a ...
Steph Richards: Supersense
by Mike Jurkovic
With all the threatening weirdness and desperate surrealism that has become life in the USA, it makes absolute sense that Supersense, daring trumpeter/composer Steph Richards' third full length album, starts out like an encroaching invasion of ants, or microbes, or a disruptive, divisive, myopic political movement. As with such forward seeking rebels as Henry ...
Jon Hassell: Words with the Shaman
by Chris May
Jon Hassell is best known as the creator of Fourth World music, an acoustic-electronic blend of jazz, minimalism, drone, ambient, traditional African and Asian instruments and harmolodic signatures. Hassell has defined Fourth World as “serious music with transcultural appeal and a smile." He unveiled the concept on his debut album, Vernal Equinox (Lovely Records), in 1977. ...
The Archive of Contemporary Music
by Karl Ackermann
In Lower Manhattan, sits a musical gold mine. It's the motherlode of recorded music though the small, brightly colored sign above a grey steel door provides only a cryptic clue. The dusty window display of rare 78 RPM records, broken into erratic pie charts serves as a vestige of the past and a cautionary tale about ...
Bremer/McCoy: Utopia
by Jakob Baekgaard
Since they released their debut, Enhed (Raske Plader, 2013), Danish bassist Jonathan Bremer and pianist Morten McCoy have been quietly crafting their own sound, and their fourth album, Utopia, marks a new beginning for the duo simply billed as Bremer/McCoy. The difference this time is that David Byrne's renowned Luaka Bop label has ...
Sensaround: Heart/Noise
by Karl Ackermann
Sensaround is an electro-acoustic trio of Australian and Scottish lineage, co-led by the familiar names of Alister Spence and Raymond MacDonald and the less recognized Shoeb Ahmed. Heart/Noise is the group's third release following the 2014 Isotropes (hellosQuare recordings). The music defies categorization, combining--as the musicians describe it--"jazz ambience, ghostly dub, and post-punk experiments...." It is ...
WOMAD 2018
by Martin Longley
WOMAD 2018 Charlton Park Malmesbury, England July 26-29, 2018 If festivals might have become bonded to female performer quotients (or not, depending on the individual festival), there is no potential negative effect when selected artists are of the high calibre presented at this year's WOMAD. Indeed, most of ...
Michael Leonhart: Surfing on an Orchestral Wave
by Ludovico Granvassu
If one were to find an answer to the age-old “nature or nurture" debate, s/he would have to look no further than The Painted Lady Suite [Sunnyside Records]. Listening to the stunning debut album by the Michael Leonhart Orchestra makes it clear that major achievements are only possible when nature and nurture are well integrated and ...
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