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9

Article: Album Review

Jon Balke: Siwan: Hafla

Read "Siwan: Hafla" reviewed by David Bruggink


A large appeal of ECM Records has always been its encouragement of cross-cultural collaboration. Across countries and genres, listeners and critics alike have reveled in records from Codona (1979) to Le Pas du Chat Noir (2001), Chants, Hymns and Dances (2004) and Arco Iris (2011).  There is joy in seeing musicians from diverse backgrounds come together to have their compositions treated with ...

10

Article: Album Review

Oded Tzur: Isabela

Read "Isabela" reviewed by David Bruggink


Saxophonist Oded Tzur burst onto the jazz scene in 2012 with a remarkable approach to his instrument that drew upon his studies with Hariprasad Chaurasia, a master of Hindustani Classical music. Joining pianist Shai Maestro, bassist Petros Klampanis, and drummer Ziv Ravitz, he formed a New York-based quartet that began performing locally and ultimately released a ...

9

Article: Album Review

Tord Gustavsen Trio: Opening

Read "Opening" reviewed by David Bruggink


After 2018's stellar The Other Side, Tord Gustavsen again graces listeners with a trio format. On this outing, ecologically-minded double bassist Sigurd Hole is replaced by ECM newcomer Steinar Raknes. A prolific recording artist with everything from dusky alt-country and americana to post-bop and free jazz to his name, Raknes introduces new flavors to the trio's palette. Gustavsen, ...

9

Article: Album Review

Sigurd Hole: Roraima

Read "Roraima" reviewed by David Bruggink


Norwegian upright bassist Sigurd Hole has stood out in the recent past as both a contributor (with his elegant performance on Tord Gustavsen's 2018 ECM album, The Other Side) and bandleader (through his 2018 Elvesang album Encounters). His solo explorations are equally noteworthy, as on the wide-ranging double album Lys / Mørke (Elvesang, 2020). Recorded on ...

6

Article: Album Review

Triosence: Hidden Beauty

Read "Hidden Beauty" reviewed by David Bruggink


Triosence may not yet be a household name among jazz aficionados in the United States, but since the turn of the millennium, they have become a fixture of the German jazz scene. In addition to performing internationally, they take a distinctly cosmopolitan approach to their sound. Past albums have shown the trio intermingling aromas of Asia, ...

6

Article: Album Review

Nils Okland Band: Kjølvatn

Read "Kjølvatn" reviewed by David Bruggink


A seasoned solo performer, sideman and leader, Nils Økland is a frequent ECM Records contributor capable of playing expressively across multiple styles. His hardanger fiddle and violin can range from poised and elegant—see Lysøen -Hommage à Ole Bull (2011), his collaboration with pianist Sigbjørn Apeland—to raucous, as on the Dirty Three-esque Lumen Drones (2014).

12

Article: Album Review

Tord Gustavsen Trio: The Other Side

Read "The Other Side" reviewed by David Bruggink


In spiritual parlance, “the other side" often refers to a realm beyond death. Tord Gustavsen is no stranger to integrating music to religious practice, performing frequent “Musikkmeditasjon" concerts in Norwegian churches. It would be reductive, however, to describe his music in New Age terms. Gustavsen is a master composer and improviser, and The Other Side is ...

13

Article: Album Review

Tigran Hamasyan: Atmosphères

Read "Atmosphères" reviewed by David Bruggink


A cross-cultural collaboration between Norwegian trumpeter Arve Henriksen, guitarist Eivind Aarset, sound manipulator Jan Bang, and Armenian pianist Tigran Hamasyan, Atmosphères seems to be a quintessential ECM release in certain ways. It exhibits qualities that come readily to mind when imagining the ECM aesthetic: sonic minimalism, musical gestures with exquisite subtleness and thrilling, sometimes discordant, experimentation. ...


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