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John Swana and The Philadelphians: Philly Gumbo
by David A. Orthmann
During a decade long association with the Criss Cross imprint, John Swana has produced an impressive aggregate of achievement, 15 discs in all, as a leader or featured sideman. On his own records, Swana usually adheres to the label's practice of utilizing a select pool of New York area musicians, ranging from young firebrands like Eric ...
Mike Allen: Change Is
by David A. Orthmann
Despite a handful of excellent recordings of trios led by giants like Sonny Rollins, Elvin Jones, and Joe Lovano, the saxophone, bass, and drums configuration has not been a particularly successful ensemble within the jazz mainstream. Simply stated, it’s a tough act to pull off for an extended period of time, especially for less experienced musicians. ...
Mike DiRubbo Quintet: Keep Steppin'
by David A. Orthmann
One of the great pleasures of being a jazz fan is bearing witness as a young musician makes the leap from someone to watch to a powerful, not-to-be-missed performer. Therefore it is deeply satisfying to hear Mike DiRubbo, only two years after his promising debut on Sharp Nine, emerge withKeep Steppin’, a brilliantly realized recording for ...
Dexter Gordon: L.T.D.
by David A. Orthmann
Consisting of four cuts spread out over a 62 minute running time, Dexter Gordon’sL.T.D.is not for listeners with short attention spans. Within the trappings of a mundane blowing session, there is a lot going on during these previously unreleased tracks recorded live in May 1969 at the Famous Ballroom in Baltimore. Gordon is in an expansive ...
Cecil Payne: Chic Boom, Live At The Jazz Showcase
by David A. Orthmann
Although he'll always be known as the first baritone saxophonist to adapt the notoriously obdurate instrument to the complexities of bebop, some of Cecil Payne's finest music has been made during the most recent decade of his distinguished, 50-plus year career. Inspired by tenor saxophonist Eric Alexander and drummer Joe Farnsworth, two talented young players in ...
Tardo Hammer: Somethin' Special
by David A. Orthmann
A half-century removed from its heyday, and no longer the most influential style or common dialect of the ever-expanding jazz canon, bebop is more often intimated than played in its unalloyed form. For many young musicians bop is not a destination or even a place to linger, but at best a way station en route to ...
Tardo Hammer: Somethin' Special
by David A. Orthmann
A half-century removed from its heyday, and no longer the most influential style or common dialect of the ever-expanding jazz canon, bebop is more often intimated than played in its unalloyed form. For many young musicians bop is not a destination or even a place to linger, but at best a way station en route to ...
Paul Kendall/Bob Leto: Excursions
by David A. Orthmann
The primary strength ofExcursions, a date co-led by tenor saxophonist Paul Kendall and drummer Bob Leto, is the contrast between Kendall’s style and the record’s other primary soloist, pianist Kenny Drew Jr. A thoughtful, deliberate player with bebop roots and hints of Shorter and Coltrane in his approach, Kendall makes a visceral impact without getting showy. ...
David Hazeltine: Blues Quarters, Volume 1
by David A. Orthmann
In the same elite class as his recent releases on Sharp Nine and Venus, David Hazeltine’sBlues Quarters, Volume I(Criss Cross), conveys the full range of his considerable talent. For this recording Hazeltine utilizes a quartet consisting of his piano, tenor saxophonist Eric Alexander, bassist Dwayne Burno, and drummer Joe Farnsworth. All three sideman are frequently part ...
John Campbell: Workin' Out
by David A. Orthmann
In the process of interpreting the compositions of modern jazzmen ranging from Mingus to Hubbard to Shorter, pianist John Campbell embraces the talents of bassist Jay Anderson and drummer Billy Drummond in something akin to an equal partnership. All three are veterans with an abundance of experience in the bands of established leaders. Throughout the record ...
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