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Fred Hess Big Band: Hold On
by Troy Collins
Originally from Abington, Pennsylvania, tenor saxophonist Fred Hess has resided in Denver, Colorado since 1981. Though Denver is not often considered a hotbed of progressive jazz, Hess, as founder of the Boulder Creative Music Ensemble and Denver's Creative Music Works Orchestra, has fashioned an alternative to the East Coast/West Coast paradigm. With 14 albums as a ...
John Hollenbeck Large Ensemble: Eternal Interlude
by Troy Collins
In addition to leading the unclassifiable Claudia Quintet and performing numerous sideman duties, composer and percussionist John Hollenbeck is renowned for his inimitable multi-layered writing. Hollenbeck studied under composer Bob Brookmeyer before charting a unique path in creative improvised music, incorporating elements of minimalism, post-rock and indigenous folk music into his eclectic compositions. As leader of ...
AAJ Interviews Some of Today's Most Intrepid Big Band Leaders
The big band in jazz has a long and glorious history. It was a prevalent form in jazz music in the '20s and '30s, comprising a substantial part of America's popular music heard on radio, spun on gramophones and record players, and enjoyed in dance halls. In the post-World War II era music began to change, ...
Large Ensembles: Is There a Place in This Large Music World?
by R.J. DeLuke
The big band in jazz has a long and glorious history. It was a prevalent form in jazz music in the '20s and '30s, comprising a substantial part of America's popular music heard on radio, spun on gramophones and record players, and enjoyed in dance halls. It gave rise to iconic band leaders like Fletcher Henderson, ...
Darcy James Argue's Secret Society: Infernal Machines
by David Rickert
What's a guy to do when he has aspirations to form a big band in this day and age? Certainly the odds are against him; for one thing, there isn't much of a market for it, and the cost of taking that many musicians on the road (much less paying them) can be cost prohibitive. But ...
Darcy James Argue: Infernal Machines
by Lyn Horton
Desiring to be ensconced in an environment of music is a dream. Dreams can come true. And Darcy James Argue's band, Secret Society, catches those dreams in its first recorded effort. Taking its title from how John Philip Sousa described the phonograph at the turn of the 20th century, Infernal Machines articulates Argue's music well, in ...
JJA's 13th Annual Jazz Awards - Join Us!
Mark your calendar! 13th Annual JJA Jazz Awards June 16, 2009 3:00-6:00pm at The Jazz Standard 116 E. 27th Street New York, NY Join us at the JJA's 13th Annual Jazz Awards as we... Announce our 2009 award winners (see nominees below) Honor winners and nominees ...
The Making of Darcy James Argue's "Infernal Machines"
by Eric Benson
---> “It was like trying to shoot Laurence of Arabia on a Clerks budget," says the 33-year-old composer/conductor Darcy James Argue of his debut album, Infernal Machines (New Amsterdam), which will be released next Tuesday, May 12. Argue didn't have to tread such a quixotic path. Up until five years ago, he was performing as a ...
Darcy James Argue's Secret Society: Infernal Machines
by Troy Collins
The reverb-drenched cajon rhythm, subtle electric guitar washes and lush horn refrains that open Infernal Machines, the studio debut of Darcy James Argue's Secret Society, introduce the sound of a big band like no other--proving that the critical acclaim lavished upon this eighteen-piece ensemble since their first gig in 2005 has been entirely justified. ...
The Pedro Giraudo Jazz Orchestra Premieres "Campo"
by Eric Benson
Pedro Giraudo Jazz Gallery New York, NY March 6, 2009 Big band jazz is an out-of-date form, its heyday having come in the boom-and-bust interwar years, and any modern-day revival must grapple with its inherent anachronism. Some current big bands try to ignore their historical awkwardness, employing the form ...
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