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Musician

D'Angelo

22

Article: Interview

Pino Palladino: The Craftsman from Wales

Read "Pino Palladino: The Craftsman from Wales" reviewed by Ludovico Granvassu


Refined craftsmanship is in small supply in today's music business, especially in the music business that fills sports arena or large music venues. Pino Palladino belongs to the small guild of refined craftsmen whose membership is reserved to musicians who do not seek the spotlight but pursue beauty through art, because that is what they were ...

2

Article: Interview

Pino Palladino: Eclettismo al Servizio della Musica

Read "Pino Palladino: Eclettismo al Servizio della Musica" reviewed by Serena Antinucci


Capita raramente di ascoltare un disco che sprigiona endorfine così benefiche, che ci concede la possibilità di separarci momentaneamente dalla realtà, spingendoci fino al nucleo generativo della musica stessa. Proprio lì dove la composizione prende forma in uno spazio neutro, senza confini, entriamo nel sistema musicale di Notes With Attachments del bassista Pino Palladino e del ...

3

Article: Album Review

Pino Palladino, Blake Mills: Notes with Attachments

Read "Notes with Attachments" reviewed by Emmanuel Di Tommaso


Pino Palladino e Blake Mills firmano uno dei dischi più attesi dell'anno. Il polistrumentista e produttore californiano viene da un 2020 molto intenso, caratterizzato dall'uscita del suo album solista Mutable Set e da una serie di preziose collaborazioni con artisti del calibro di Bob Dylan e di Perfume Genius, che hanno realizzato due dei migliori dischi ...

16

Article: Interview

Warren Wolf: Reincarnated

Read "Warren Wolf: Reincarnated" reviewed by Aaron Paschal


Warren Wolf is a Baltimore-born vibraphonist and a member of the SFJAZZ Collective. Reincarnation (2020), his fourth album as leader on Mack Avenue Records, sees Wolf dive into an entirely different side of his musical personality. We got together via ZOOM to talk about his musical influences, how he's staying creative during the COVID pandemic and ...

1

Article: Interview

Gegè Telesforo: Improvvisazione senza fine

Read "Gegè Telesforo: Improvvisazione senza fine" reviewed by Paolo Marra


Artista poliedrico e curioso Gegè Telesforo ha mantenuto in più di tre decenni di attività una cifra stilistica originale e autentica. Acclamato innovatore a livello internazionale nell'uso dello scat vocals, nella sua musica le sillabe si muovono libere e sinouse a ritmo di funk e swing in un concentrato raffinato di pura e semplice energia. Musicista, ...

1

Article: Album Review

Junius Paul: Ism

Read "Ism" reviewed by Emmanuel Di Tommaso


Il bassista e contrabbassista Junius Paul rappresenta dagli inizi degli anni 2000 l'anima ritmica della scena jazz di Chicago: già collaboratore di Makaya McCraven in Universal Beings (International Anthem, 2018), uno dei dischi jazz rivelazione degli ultimi anni, Paul è membro fra i più attivi della Art Ensemble of Chicago e dell'Association for the Advancement of ...

Article: Album Review

Polly Gibbons: All I Can Do

Read "All I Can Do" reviewed by Angelo Leonardi


È sufficiente ascoltare qualche brano dell'inglese Polly Gibbons per lasciarsi prendere dal suo esuberante feeling. Niente a che vedere con le molte vocalist che hanno invaso la scena con una mediocre e plastificata sintesi di pop, jazz e soul. La giovane scoperta dal produttore Ian Shaw è qualcosa di speciale. Il suo timbro è profondo, la ...

2

Article: Radio

Jacques Schwarz-Bart: Multicultural Identity, Authenticity and Sound.

Read "Jacques Schwarz-Bart: Multicultural Identity, Authenticity and Sound." reviewed by Leo Sidran


In this podcast episode, saxophonist Jacques Schwarz-Bart explains why he never fit neatly into any one category. He says, “I knew early on in my life that I could not go down a regular path. It would be hard for other human beings to totally accept me the way I am." From the very ...

5

Article: Profile

Courtney Pine: Standing on the Shoulders of Giants

Read "Courtney Pine: Standing on the Shoulders of Giants" reviewed by David Burke


Courtney Pine didn't pick up his beloved tenor saxophone for more than a decade, until an album exploring the black British experience demanded it. The multi-instrumentalist eschewed the horn on the likes of Europa, House of Legends and Song (The Ballad Book), his two-hander with pianist Zoe Rahman. “I spoke to Sonny Rollins about ...


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