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9

Article: Album Review

Andrew Rathbun: Numbers & Letters

Read "Numbers & Letters" reviewed by Dan McClenaghan


Toronto-born saxophonist/composer Andrew Rathbun is no stranger to pushing the boundaries. He has released a dozen superb modernistic CDs under his own name, perhaps most notable of these his nod to his fellow Canadian, writer Margaret Atwood, Sculptures (Blue Moon, 2002), and 2009's and Where We Are Now (Steeplechase Records). Rathbun, on all of his previous ...

9

Article: Album Review

Tommy Smith/Brian Kellock: Whispering of the Stars

Read "Whispering of the Stars" reviewed by Dan McClenaghan


Tommy Smith is known best for his directorship of the Scottish National Jazz Orchestra. The group has emerged as one of the finest of big bands with offerings like the classic In the Spirit of Duke (Spartacus records, 2013), a tribute to Duke Ellington, Rhapsody In Blue (Spartacus Records, 2006), an extended and stunning remake of ...

116

Article: Album Review

Christopher Parker: Full Circle

Read "Full Circle" reviewed by Dan McClenaghan


Pianist Chris Parker's second CD release on OA2 Records, Full Circle, sounds like an exciting live set full of vigorous life, something that engages the crowd and gets them up out of their seat, dancing. It's a quintet--common enough in jazz--with the uncommon use of violin in the front line beside the saxophone, reeling out unison ...

15

Article: Album Review

Fred Hersch Trio: Floating

Read "Floating" reviewed by Dan McClenaghan


There's no arguing the considerable merits of pianist Fred Hersch's Alive at the Vanguard (Palmetto Records, 2012) or his Alone at the Vanguard (Palmetto Records, 2011), trio and solo efforts respectively, both recorded live at the legendary Village Vanguard, home of so many classic live sets. Hersch is at the height of his artistic powers in ...

14

Article: Album Review

Gato Libre: DuDu

Read "DuDu" reviewed by Dan McClenaghan


There are a lot of high energy, wild and out there sounds screaming around in Natsuki Tamura's discography--the explosively electric Hada Hada (Libra Records, 2002), the sizzling Exit (Libra Records, 2004), and any number of unfettered collaborations with his wife, pianist Satoko Fujii. But his Gato Libre discs are one of the Japanese trumpeter's more laid-back ...

9

Article: Album Review

Frank Harrison Trio: Lunaris

Read "Lunaris" reviewed by Dan McClenaghan


London-based pianist Frank Harrison is probably best known for his work backing saxophonist Gilad Atzmon, but his Lunaris should help to raise his profile as a major league piano trio guy. It's Harrison's third recorded effort in the trio format, and it stands out in a crowded field full of talent. Harrison and the ...

12

Article: Album Review

Leon Gurvitch: Remember Me

Read "Remember Me" reviewed by Dan McClenaghan


Classical versus Jazz. The former relies more on technique and adherence to the written note. It's an artistic expression that is more about the composer. Jazz is more about the performing artist, more about improvisation and seat-of-the pants creation. Russian-born and now Hamburg-based pianist Leon Gurvitch leans hard in the classical direction. But the ...

8

Article: Album Review

Manuel Valera: Self Portrait

Read "Self Portrait" reviewed by Dan McClenaghan


On Self Portrait, Grammy-nominated pianist Manuel Valera's first solo piano outing, the artist displays a supple and exquisite touch on his instrument, reflecting the erudition and precision of his classical background. This is worth saying right off because Valera is best known for his vivacious Latin jazz ensemble outings, New Cuban Express (Mavo Records, 2012) and ...

28

Article: Album Review

Jo-Yu Chen: Stranger

Read "Stranger" reviewed by Dan McClenaghan


The short version of pianist Jo-Yu Chen's biography: Born in Taiwan, started with music in the classical realm, moved to New York to study oboe and piano at Julliard School, and fell under the spell of jazz. That's not an unusual back story in the world of jazz, with the exception of her Taiwanese roots. The ...

7

Article: Album Review

Paul Bley: Play Blue

Read "Play Blue" reviewed by Dan McClenaghan


Pianist Paul Bley, born in 1932, began his jazz career in the 1950's, working with every one from saxophonists Charlie Parker, Ben Webster, Coleman Hawkins, Sonny Rollins, and Ornette Coleman, as well as clarinetist Jimmy Giuffre and trumpeter Chet Baker, and more legends of the time than can be listed here. He has, under his own ...


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