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Victor Prieto: The Three Voices
by Dan McClenaghan
On the cover of his CD The Three Voices, Victor Prieto looks as if he's going to do something crazy with his accordions. He is a giant behind the big city skyline, towering over tall buildings. It's sort of like a “Godzilla of the squeeze boxes" scene. But the accordionist doesn't look like he's bent on ...
Jon Lundbom & Big Five Chord: Bring Their 'A' Game
by Dan McClenaghan
Bring Their 'A'Game is an EP release, download only (for now), from the fertile musical imagination of guitarist Jon Lundbom & Big Five Chord. It is the second in a four part set--following Make Magic Happen. Lundbom's plan is to release four of these download EPs in 2016, then collect them into a four disc box ...
Joshua Bayer Jazz: Six By Five
by Dan McClenaghan
Joshua Bayer can't be called a prolific artist in terms of CD releases. The bassist/guitarist has offered up only two previous albums this millennium: Lines and Grooves (Jazzhead Records, 2003) and New Voice: Old Voice (Self Produced, 2006). Both sets grooved nicely, lively mainstream quartet sets, with a saxophone out front riding the waves of surging ...
Marcos Varela: San Ygnacio
by Dan McClenaghan
Bassist Marcos Varela, Houston-bred and now New York-based, opens his recording debut, San Ygnacio, with a big, brash version of the standard, “I Should Care." His rhythm section is rounded out by veteran pianist George Cables and drum icon Billy Hart, so a free swinging zest is expected, and delivered. Logan Richardson on alto sax makes ...
Danny Green Trio: Altered Narratives
by Dan McClenaghan
Pianist Danny Green took a big step up in the piano trio rankings with 2014's After The Calm (OA2 Records). The San Diego-based group focused in on a distinctive and beautiful set of Green originals and recorded them with a continuity of mood and an ebullient brio--like three guys who knew what they were doing in ...
Rhythm Future Quartet: Travels
by Dan McClenaghan
Gypsy jazz started, in terms of popular recognition, with guitarist Django Reinhardt and violinist Stephane Grappelli, and their lively and supremely swinging Qunintette du Hot Club du France. The group recorded hundreds of tunes in the thirties and and forties, released on the 78 rpm discs that were the recorded music mode at the time, and ...
Michael Formanek’s Ensemble Kolossus: The Distance
by Dan McClenaghan
Here's a surprise. Bassist Michael Formanek is probably best known for his two recent ECM Records dates, Rub and Spare Change (2010) and Small Places, a couple of modernistic quartet sessions featuring saxophonist Tim Berne, pianist Craig Taborn and drummer Gerald Cleaver. These are tight and intense sets, architecturally solid, free-like outings that may have helped ...
Jon Lundbom & Big Five Chord: Make Magic Happen
by Dan McClenaghan
The computer/internet age ushers in new ways of selling music. Record stores, flipping through bins of long playing albums--long gone. Compact discs--not selling like they used to. Digital downloads--the thing of the future? Guitarist Jon Lundbom has come up with the idea--influenced by trumpeter Dave Douglas' foray into this territory, perhaps, with his Three Views (Greenleaf, ...
Marc Copland: Zenith
by Dan McClenaghan
After releasing a series of excellent but under-recognized CDs on various small record labels--starting in the mid-1980s--pianist Marc Copland rose in prominence in 2006 when he took up residence on Germany's Pirouet Records. The highlight of his Pirouet days was a set of trio discs wrapped in a marketing package dubbed “The New York Trio Recordings." ...
Roxy Coss: Restless Idealism
by Dan McClenaghan
Upcoming saxophonist Roxy Coss opens her splendid Origin Records debut, Restless Idealism with a traditional approach on her original tune, “Don't Cross the Coss." It's a happy and assertive sound, and when she takes her first solo, her robust tone brings Coleman Hawkins to mind. Coss and her band, churning along on a well-lubricated drive train ...
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