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Myriad3: Moons
by Dan McClenaghan
Someone's always trying to take a tried and true format out on a new tangent. Consider the piano trio: Bill Evans introduced deep, classically-influenced harmonics and a democracy of instrumental input in the late fifties and early sixties. The Esbjorn Svennson Trio (e.s.t.) brought in classical, rock, pop and techno elements; The Bad Plus plays with ...
Naomi Moon Siegel: Shoebox View
by Dan McClenaghan
Trombonist Naomi Moon Siegel represents the new breed of jazz artists, the ones who have to make it all happen themselves. In lieu of an established record label, the words “Self Produced" say it all. And while the ability and relative affordability of putting out a CD that is self funded--or fan direct funded--certainly eliminates a ...
Randy Simon Jazz Project: The Linda Sessions
by Dan McClenaghan
The Randy Simon Jazz Project brings to mind, on The Linda Sessions, a high end sports car in top condition zooming down a straight highway, with a rhythm section/drive train boosted by a piano and a guitar. The sound is clean, momentum smooth and straight forward. The tune--the opener of a two CD set--is “Just Deal ...
Eugenia Choe: Magic Light
by Dan McClenaghan
It takes nerve to come from (seemingly) out of nowhere to present a piano trio disc. The history runs deep there: Bud Powell, Tommy Flanagan, Oscar Peterson, Bill Evans, Brad Mehldau, Keith Jarrett--just a scratching of the surface of the bop and post bebop players in the game. Eugenia Choe, a new-to-the-scene New York-based ...
Piero Umiliani: Psichedelica
by Dan McClenaghan
Psichdelica is a fun album. It is music from the pen of Italian movie scorer Piero Umbiliani. The music here composed and recorded for the movie Svenzia Inferno e Paradiso (1968) is in large part a slice of those times. “Trippy, very trippy," might be the colloquial 1968 description for the the disc's first four tunes, ...
Joan Jeanrenaud: Visual Music
by Dan McClenaghan
Cellist Joan Jeanrenaud spent more than twenty years as a member of the experimental and always innovative Kronos Quartet. She left the group in 1999, and has since created an adventurous and captivating body work, including four previous CD releases, including the Grammy-nominated Strange Toys ( Talking House Records, 2008) and 2010's Pop-Pop (Deconet Records), in ...
Craig Taborn: Flaga: Book of Angels, Volume 27
by Dan McClenaghan
There was always a sense that pianist Craig Taborn was more successful as a “super sideman" than as a leader of his own recordings. His contributions to CD offerings by saxophonist Tim Berne, reedman Roscoe Mitchell, saxophonists David Binney and James Carter, and many more, have been critical in crafting dozens of excellent music sets. Then ...
Bruno Raberg: For The Unknown
by Dan McClenaghan
Bassist Bruno Raberg's artistry sounds as if it would be a good fit for ECM Records. His music has a drifting elasticity; space is an important component; and his muse has introduced him to electronic sound design--an approach that the Swedish-born, and now Boston-based, performer has embraced. Raberg's sound is unique. Over the course ...
Avi Darash: Impermanence
by Dan McClenaghan
Pianist Avi Darash, home-based now in the Netherlands, broods beautifully on “The Day After," the third tune on his CD Impermanence. His trio mates--bassist Avri Borochov and drummer Ofri Nehemya--offer an intricate yet subtle accompaniment, on a sound that brings the Brad Mehldau Trio to mind, with its floating momentum, cerebral atmosphere and subtle melodic development. ...
Ehud Asherie: Shuffle Along
by Dan McClenaghan
Israeli-born pianist Ehud Asherie delves deep into a quintessentially American Music on Shuffle Along. The score for the 1921 Broadway musical--tunes that were crafted before the beginning of a true “Popular" recording industry--was groundbreaking. Written by Eubie Blake and Noble Sissle, Shuffle Along, with an all-black cast, was the first Broadway production that treated African Americans ...
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