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Torben Waldorff: Holiday On Fire
by Dan McClenaghan
Two impressions stick in the mind after a couple of spins of guitarist Torben Waldorff's Holiday On Fire: one--he rips like a rock star; and two--the band he has put together has a sharply distinctive, modern, maybe even futuristic sound. The rock star aspect: not a surprise, for a musician whose introduction to the art began ...
Possibilites: Get 'Em
by Dan McClenaghan
The saxophone/bass/drums grouping--at one time a rarity--seems to be undergoing a renewal of sorts. Drummer Rudy Royston offered up a fine example of the genre with Rise Of Orion (Greenleaf Music, 2016). Saxophonist JD Allen dove deep into the blues on Americana (Savant Records, 2016), and sax man Jason Rigby presented a breakout effort on the ...
The Bill Evans Trio: On A Monday Evening
by Dan McClenaghan
Bill Evans, one of the most influential of jazz pianists, died in 1981. He left a legacy. The brilliant shine of his artistry gained widespread recognition in 1959 with his contribution to Miles Davis classic Kind Of Blue (Columbia Records, 1959), and surged into stellar territory with the release of his own Sunday At The Village ...
Bram Weijters & Chad McCullough: Feather
by Dan McClenaghan
Three terrific studio CDs--quartet outings, all--have come from the teaming of trumpeter Chad McCullough and keyboardist Bram Weijters: Imaginary Sketches (2011); Urban Nightingale, (2012); and Abstract Quantities (2015), all on Origin Records. Theirs is an always engaging, melodic modern jazz. On Feathers the musicians reduce their artistry down to the duo mode. From the ...
Marc Copland: Better By Far
by Dan McClenaghan
Marc Copland got his start in jazz in New York City as a sometimes plugged-in alto saxophonist, working with drummer Chico Hamilton's Quartet, and releasing an overlooked album, Friends (Oblivion Records, 1973) featuring his own quartet. Then he went away, and came back as a pianist, and has since shaped himself into one of finest jazz ...
Rein Godefroy: It Will Come
by Dan McClenaghan
Dutch pianist Rein Godefroy enters the crowded and talent-filled arena of the jazz piano trio with It Will Come. The music--on a first listen--seems to fit in the the European aesthetic of this form of musical expression with the opener, the disc's title tune, a gently laid down sound. The piano touch is supple, the bass/drums ...
Kelly Moran: Bloodroot
by Dan McClenaghan
It seems that pianist Kelly Moran's approach to crafting her artistry requires a trip to Home Depot, for the purchase of a variety of screws and bolts. An observer of this purchase might assume an imminent assembly of a back yard patio set, but in reality, these items--among other things--are destined for insertion inside Moran's piano, ...
Organissimo: B3tles: A Soulful Tribute To The Fab Four
by Dan McClenaghan
Guitarist Grant Green was one of the early birds on this: turning Beatles tunes into soulful jazz workouts, with his I Want to Hold Your Hand (Blue Note, 1965), featuring Hammond organ master Larry Young on the B3, recorded a little over a year after the Fab Four's musical invasion of America. But it was mostly ...
Jason Rigby: Detroit-Cleveland Trio: One
by Dan McClenaghan
The saxophone/bass/drums format has its challenge: the lack of a harmonic instrument to add depth and structure to the sound. Sonny Rollins put out a classic of the form: A Night At The Village Vanguard (Blue Note, 1958). But he's Sonny Rollins, and all the other saxophonist aren't. Same thing with Ornette Coleman and his two ...
MEM3: Circles
by Dan McClenaghan
The modernistic piano trio, MEM3, draws influences from the innovative e.s.t. (Esbjorn Svensson Trio) and the Bad Plus, as well as the legendary drummer Peter Erskine's trio recordings. Circles, MEM3's second outing, puts them in the league with those higher profile groups as they craft an understated and unfailingly lovely trio sound enhanced with subtle electronic ...


