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Results for "Dan McClenaghan"
Champian Fulton: The Stylings Of Champian
by Dan McClenaghan
Pianist/vocalist Champian Fulton may be the most charming person in the world. Even a short sip of her extensive internet presence (especially YouTube, with performances and interviews) reveals an artist who radiates the joy of creation with a luminescent personality. Her music reflects that personality, and--like the sounds of of Bud Powell and Ella Fitzgerald and ...
Nikita Rafaelov: Spirit of Gaia
by Dan McClenaghan
Russia-born pianist Nikita Rafaelov adopted Finland as his homeland, and music as his passion. He began with the classics at an early age before the inspirations of Bill Evans, Keith Jarrett and John Coltrane came his way. His jazz recording debut on Copenhagen, Denmark's Gotta Let it Out Records, Spirit of Gaia, is described as: ..."a ...
Harvey Sorgen / Joe Fonda / Marilyn Crispell: Dreamstruck
by Dan McClenaghan
Drummer/composer/educator Harvey Sorgen boasts an impressive worked with/recorded with resume. His highest profile booster might be a handful of recordings with the Jefferson Airplane offshoot Hot Tuna, followed by a number of releases with bassist Joe Fonda and the Fonda/Stevens Group. With Fonda involved, you know you'll hear some left-of-center sounds. Dreamstruck teams Fonda with Sorgen, ...
Colin Edwin & Lorenzo Feliciati: Twinscapes Vol. 2: A Modern Approach To The Dancefloor
by Dan McClenaghan
The cover art of Twinscapes Vol. 2: A Modern Approach To The Dancefloor features what looks like a cyborg, illuminated by hot electricity on the upper portion of its visage, a face otherwise surrounded by lifeless black. The image is fitting. The album's music--from bassists Colin Edwin and Lorenzo Feliciati--celebrates the dancefloor music of the '80s. ...
Mark Masters Ensemble: Our Metier
by Dan McClenaghan
Mark Masters, an extraordinarily talented and perhaps undersung arranger of large ensembles jazz, has spent a good deal of artistic energy on crafting recordings that explore other people's compositions. His Capri Records output includes The Clifford Brown Project (2003), celebrating the sounds of the too-soon-gone trumpet legend; Porgy and Bess (2005), from the George Gershwin songbook; ...
Ernesto Cervini's Turboprop: Abundance
by Dan McClenaghan
Delve into Toronto-based drummer Ernesto Cervini's discography and you find an artist who seems to be trying to be a force for good in the world. His CD releases feature his Ernesto Cervini Quartet, MEM3, Myraid3, and Turboprop (and others, for he is prolific). His is a sound that brims with buoyancy, whether it's a trio ...
Shawn Maxwell's New Tomorrow: Music in My Mind
by Dan McClenaghan
After a series of well-received mainstream recordings, Chicago-based alto saxophonist Shawn Maxwell moved into a “taking more chances" mode with Shawn Maxwell's New Tomorrow (OA2 Records, 2016). Much of the sound there fell into the exploratory, even avant-garde area. He delves further into that territory with Music In My Mind. With albums titled Originals ...
Josh Rager: Dreams And Other Stories
by Dan McClenaghan
Montreal's Juno Award-nominated pianist, Josh Rager, has assembled an all star quintet for his fourth album as a leader, Dreams And Other Stories. Sandwiching five of his own superb compositions between the disc's opener, the Rodgers and Hart jewel “Spring is Here," and the wrap-up, Olivier Messiaen's “O Sacrum Convivium," he creates a cohesive and vivacious ...
Tim Stevens Double Trio: with whom you can be who you are
by Dan McClenaghan
Most jazz pianists with classical training in their backgrounds seem to feel the pull of of the strings: whether it be Bill Evans with his Bill Evans Trio With Symphony Orchestra Verve, 1965); Phineas Newborn, Jr. on While My Lady Sleeps (Bluebird/RCA, 1957); or, to bring it into the new millennium: Brad Mehldau's Highway Rider (Nonesuch, ...
Cuong Vu 4Tet: Change In The Air
by Dan McClenaghan
Trumpeter Cuong Vu introduced this particular 4tet in 2017, with Ballet: The Music of Michael Gibbs (RareNoiseRecords). An all star affair that included guitarist Bill Frisell, bassist Luke Bergman and drummer Ted Poor, it seemed to signal something of a gentler Cuong Vu, with a music that had a spaciousness, patience and ruminative quality that didn't ...
