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Hal Galper Trio: The Zone: Live At The Yardbird Suite
by Dan McClenaghan
Pianist Hal Galper has rounded out a career spanning five decades with his stint at Origin Records, beginning with Furious Rubato (2007) and wrapping things up--or so it was rumored--with 2018's Cubist. Most of these are trio affairs featuring bassist Jeff Johnson and drummer John Bishop, with Cubist adding saxophonist Jerry Bergonzi to the mix. All ...
Remy Le Boeuf: Assembly Of Shadows
by Dan McClenaghan
Remy Le Boeuf's Assembly Of Shadows, an ambitious jazz orchestra recording, opens with his original composition, the cinematic “Strata," followed by a majestic take on alto saxophonist Ornette Coleman's “Honeymooners," a tune from the free jazz pioneer's Virgin Beauty (Portrait Records, 1988). These sounds--collectively clocking in at fifteen and a half minutes--set the stage for the ...
Emilio Solla Tango Jazz Orchestra: Puertos: Music From International Waters
by Dan McClenaghan
Tango music was born in the late nineteenth century in the ports along the shore of the Rio de la Plata which flows to the ocean along the border between Argentina and Uruguay. A sound of the poorer locales, it was a melting-pot music, drawing from European, Native American, Spanish-Cuban, African and Argentinian folk music influences. ...
Andrew Dickeson: Groove!
by Dan McClenaghan
You've got to love a lack of pretense. Australian drummer Andrew Dickeson's Groove! seems--initially at least, with the set's opener, “I'm Old Fashioned"--to be introducing a breezy and unpretentious piano trio affair. The tune has a carefree bounce, and the old put-down of “cocktail piano jazz" comes to mind--though what exactly is wrong with music from ...
Michael Dease: Never More Here
by Dan McClenaghan
Trombonist Michael Dease released Bonafide (Posi-Tone Records) in 2018. The disc was a testament to some of his influences—pianist Geri Allen, trumpeter Marcus Belgrave, trombonist J.J. Johnson. For his 2019 testament, Never No More Here, he tips his hat to saxophonist Charlie Parker. But he doesn't cover “Confirmation" “or “An Oscar For Treadwell" or “Segment," familiar ...
Rez Abbasi: A Throw Of Dice
by Dan McClenaghan
Rez Abbasi has written a score for a 1929 movie—not an everyday jazz endeavor, but that is what the guitarist/composer does with his thirteenth recording. This after-the-fact soundtrack composing, though rare, is not unprecedented. In 2015 guitarist Aram Bajakian wrote and self produced a recording--an unofficial soundtrack--to the 1969 Soviet film The Color Of Pomegranates, an ...
Dan Pitt Trio: Fundamentally Flawed
by Dan McClenaghan
Toronto-based guitarist Dan Pitt has tagged his debut album Fundamentally Flawed. It is a trio recording full of gorgeous, glowing chords and inspired accompaniment, beginning with the tune “Balmoral," a study in patience and off-kilter beauty. And throw in the sound of a trio equilibrium and telepathic interplay. If that opener marinates in the brooding side ...
Go: Organic Orchestra & Brooklyn Raga Massive: Ragmala: A Garland Of Ragas
by Dan McClenaghan
World music pioneer and percussionist Adam Rudolph is the instigator and ringleader of Ragmala: A Garland of Ragas. Bringing together his Go: Organic Orchestra and the Brooklyn Raga Massive—forty world class musicians—he has created a “future orchestra," a blending of sounds of the Middle East, Africa, India and beyond. Inclusive is the key word.
Joel Miller: Unstoppable
by Dan McClenaghan
Joel Miller makes an excellent case for continuing education. Twenty years after winning the career-boosting Gran Prix of the Montreal Jazz Festival in 1997, and releasing his debut album, Find A Way (Isthmus/Page Music) in the same year, the Montreal-based saxophonist returned to his alma mater, McGill University, to complete his studies for a Master's in ...
Noah Preminger Group: Zigsaw: Music Of Steve Lampert
by Dan McClenaghan
With Zigsaw: The Music of Steve Lampert, saxophonist Noah Preminger presents his most ambitious album to date. Trumpeter-composer Lampert writes cerebral, avant-garde compositions. Preminger, rather than diving into a collection of Lampert tunes, takes on a single forty-nine minute magnum opus piece that zigzags back and forth between structure and openness, with an all-star septet that ...
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