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Chad McCullough: Forward
by Dan McClenaghan
Since his excellent recording debut under his own name, 2009's Dark Wood, Dark Water (Origin Records), trumpeter Chad McCullough has co-led a handful of forward-leaning discs with Belgian pianist Bram Weijters and one with Slovakian pianist Michal Vanoucek, in addition his work as sideman and his contributions to a few leaderless ensemble sets. Forward is just ...
David Friesen With Orchestra And Quartet: Testimony
by Dan McClenaghan
Most artists, in most fields, move into their eighth decade on an artistic decline, their best days behind them. But not so for the Portland, Oregon-based musician David Friesen. The bassist/pianist/composer hooked up with Seattle's Origin Records in 2014 with the release of Where the Light Falls. Five more sets arrived in short order, top tier ...
Collin Sherman: Arc of a Slow Decline
by Dan McClenaghan
Music is typically a collaborative affair. A given number of players comes together and each takes a part in the shaping of a particular sound. Teamwork is the word. But sometimes a musician just has to go it alone and--in this technological age that allows such things--the recording then collaging and layering of sounds creates an ...
Dayna Stephens Quartet: Right Now! Live At The Village Vanguard
by Dan McClenaghan
New York City's Village Vanguard has a history. Founded by Max Gordon in 1935 and, after his passing in 1989, operated by his wife Lorraine until her death in 2018, the venue became famous for launching jazz careers and hosting the recordings of more than a hundred jazz albums, including saxophonist Sonny Rollins' A Night At ...
Satoko Fujii / Natsuki Tamura: Pentas: Tribute To Eric and Chris Stern
by Dan McClenaghan
Pianist Satoko Fujii and trumpeter Natsuki Tamura came off a European tour in 2019 and went into the studio in Krakow, Poland, and recorded Pentas, their seventh duo disc, an effort that joins the Fujii/Tamura pairings How Many (Libra Records, 1997), Clouds (Libra Records, 2002), Like In Krakow, In November (Not Two Records, 2006), Chun (Libra ...
The Michael O'Neill Quartet: And Then It Rained
by Dan McClenaghan
San Francisco area-based reedman Michael O'Neill, noted most prominently for his work with vocalist Kenny Washington, takes his artistry on a new tangent with And Then It Rained. The set features a top-tier Bay Area quartet which digs deep into a set of O'Neill originals. Recording-wise, this is new territory for O'Neill, who, in addition to ...
What Happens In A Year: Ceremonie / Musique
by Dan McClenaghan
New York-based reedist (bass clarinet, baritone saxophone) Josh Sinton says: “Every day when I wake up, I try to make some stuff." An admirable goal. One of the things he made, in cahoots with his band What Happens In A Year, is a recording called ceremonie / musique. The set has been described, accurately, as “daringly ...
James Brandon Lewis: Molecular
by Dan McClenaghan
Saxophonist James Brandon Lewis offers up an introductory statement in the album packaging as a preface to the liner notes of Molecular. His train of thought is difficult to follow. He leaves an impression of not being a “normal" person, in the best possible sense of that assessment. It is the impression of a deep-thinking artist ...
Alexander von Schlippenbach: Slow Pieces For Aki: Piano Solo
by Dan McClenaghan
Pianist Alexander von Schlippenbach began recording in the 1950s. Twenty years into the new millennium, he continues to do so prolifically, with twenty-five albums under his own name listed on Wikipedia--a seeming short shrift; his three solo albums on the Intakt Records label from 2005 and 2012 somehow didn't make the list, suggesting there are more. ...
Tim Berne's Snakeoil: The Deceptive 4—Live
by Dan McClenaghan
Alto saxophonist Tim Berne has given his various ensembles some cool names over the years. There was Big Satan, Bloodcount, Science Friction, Hard Cell. Then, in 2012, on his first recording for ECM Records, he introduced his group (and the album) Snakeoil. The band has become, since then, his main--though certainly not his only--means of artistic ...
