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Natsuki Tamura: Summer Tree
by Dan McClenaghan
In 2002, the Natsuki Tamura Quartet released an album called Hada Hada (Libra Records). It sounded as if it was plugged into ten thousand volts, even Tamura's trumpet, and especially Satoko Fujii's synthesizer, in the making of a soundtrack to a “Cyborgs March on the Capitol" movie. And those cyborgs were mad. Odd stuff. In 2022, ...
Omri Ziegele Where's Africa: That Hat
by Dan McClenaghan
Omri Ziegele, the Zürich-based saxophonist, makes music with his big band Billiger Bauer and in duo format with pianist Irene Schweizer, and also with his smaller groups, Noisy Minority and Where's Africa. He has established himself as a major force in the Zürich jazz scene and as a major artist for Intakt Records. That Hat, his ...
The Adam Larson Trio: With Love, From Chicago
by Dan McClenaghan
The experience begins with the cover art, an old school black-and-white photo of Kansas City-based saxophonist Adam Larson with his hair swooped up in something of a modest 1950s pompadour, like an early Sun Records artist--Johnny Cash, Elvis Presley--sitting in the studio with his ax laid out in front of him. Except Larson's ax is not ...
Samo Salamon: Dolphyology: Complete Eric Dolphy For Solo Guitar
by Dan McClenaghan
As the clock ticked toward 2020, jazz guitarists began recording tributes to jazz giants of yesterday who were not guitarists: Dom Minasi offered up a compelling and beautiful salute to pianist Cecil Taylor with Remembering Cecil (Unseen Rain Records, 2019), and Miles Okazaki gave us Work: The Complete Compositions of Thelonious Monk (Self Produced, 2018). In ...
Joan Hutton & Sue Orfield: Take That Back
by Dan McClenaghan
Joan Hutton and Sue Orfield's Take that Back opens with the smooth dark chocolate crooning of Hutton's bass clarinet. The tune is “Dirty Secret," a Hutton-penned, mid-tempo gem. And initially what comes to mind is (Bennie Maupin and Eric Dolphy aside) how rarely we hear the bass clarinet on a jazz album. Then Orfield's tenor sax ...
Julieta Eugenio: Jump
by Dan McClenaghan
Aspiring jazz artists who pull up roots and make the “jump" to New York City have a lot of backbone. The uncertainty involved in the attempt to elbow into a hyper competitive situation which can boost a career must make for sleepless nights. For non-Americans, dealing with culture shock and struggling with the English language, things ...
Bob James Trio: Feel Like Making Live!
by Dan McClenaghan
Bob James--keyboardist, pianist, composer and arranger--opens Feel Like Making Live! with his original tune, “Angela (Theme From 'Taxi')." Everyone has heard it--that is what exposure from a popular television show can do. That series ran from 1978 to 1983. Taxi music, along with his albums on Creed Taylor's CTI Records during this time, in addition to ...
Nathan Borton: Each Step
by Dan McClenaghan
The 1960s were fine and formative times for jazz guitar. Wes Montgomery was there. So was Grant Green. The pair led the pack, and still do, to an extent. Guitarist Nathan Borton, with his debut recording, Each Step, embraces the traditions of these two influences. Borton's sound comes directly out of the straight ahead ...
Andrew Cyrille, William Parker & Enrico Rava: 2 Blues For Cecil
by Dan McClenaghan
Finland's TUM Records wrapped up 2021 with a free jazz flourish, releasing trumpeter Wadada Leo Smith's Great Lakes Quartet's stellar box set, The Chicago Symphonies and also Smith's masterful A Love Sonnet For Billie Holiday. The momentum continued in January 2022 with the label's release of The OGJB Quartet's Ode To O and—the subject of this ...
Piet Verbist: Secret Exit to Another Dimension
by Dan McClenaghan
Belgian bassist Piet Verbist has featured saxophonists on each of his previous Origin Records albums—bass, drums and a horn or two seems to be his way of working. With Secret Exit To Another Dimension, his fifth Origin outing, he pares things down to the trio format, creating a distinctive guitar/bass/drums sound that has a strikingly modern ...
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