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Joan Hutton & Sue Orfield: Take That Back
by Dan McClenaghan
Joan Hutton and Sue Orfield's Take that Back opens with the smooth dark chocolate crooning of Hutton's bass clarinet. The tune is “Dirty Secret," a Hutton-penned, mid-tempo gem. And initially what comes to mind is (Bennie Maupin and Eric Dolphy aside) how rarely we hear the bass clarinet on a jazz album. Then Orfield's tenor sax ...
Julieta Eugenio: Jump
by Dan McClenaghan
Aspiring jazz artists who pull up roots and make the “jump" to New York City have a lot of backbone. The uncertainty involved in the attempt to elbow into a hyper competitive situation which can boost a career must make for sleepless nights. For non-Americans, dealing with culture shock and struggling with the English language, things ...
Bob James Trio: Feel Like Making Live!
by Dan McClenaghan
Bob James--keyboardist, pianist, composer and arranger--opens Feel Like Making Live! with his original tune, “Angela (Theme From 'Taxi')." Everyone has heard it--that is what exposure from a popular television show can do. That series ran from 1978 to 1983. Taxi music, along with his albums on Creed Taylor's CTI Records during this time, in addition to ...
Nathan Borton: Each Step
by Dan McClenaghan
The 1960s were fine and formative times for jazz guitar. Wes Montgomery was there. So was Grant Green. The pair led the pack, and still do, to an extent. Guitarist Nathan Borton, with his debut recording, Each Step, embraces the traditions of these two influences. Borton's sound comes directly out of the straight ahead ...
Andrew Cyrille, William Parker & Enrico Rava: 2 Blues For Cecil
by Dan McClenaghan
Finland's TUM Records wrapped up 2021 with a free jazz flourish, releasing trumpeter Wadada Leo Smith's Great Lakes Quartet's stellar box set, The Chicago Symphonies and also Smith's masterful A Love Sonnet For Billie Holiday. The momentum continued in January 2022 with the label's release of The OGJB Quartet's Ode To O and—the subject of this ...
Piet Verbist: Secret Exit to Another Dimension
by Dan McClenaghan
Belgian bassist Piet Verbist has featured saxophonists on each of his previous Origin Records albums—bass, drums and a horn or two seems to be his way of working. With Secret Exit To Another Dimension, his fifth Origin outing, he pares things down to the trio format, creating a distinctive guitar/bass/drums sound that has a strikingly modern ...
The Nu Band: In Memory of Mark Whitecage: The Nu Band Live At The Bopshop
by Dan McClenaghan
Multiple reedman Mark Whitecage (1937-2021) may not have enjoyed the profile he deserved, but he was an extraordinary improvisational free-jazz force who recorded prolifically for CIMP Records. Bassist Joe Fonda, a member of Whitecage's Nu Band, enjoyed a forty year musical involvement with the man, and In Memory Of Mark Whitecage: The Nu Band Live At ...
Tim Berne / Gregg Belisle: Mars
by Dan McClenaghan
Mars inspires. That blood-red eye orbiting the sun this side of Jupiter served as a muse for Gustav Holtz in the “Mars" portion of his Planets Suite (1916); H.G Wells conjured giant three-legged machines from Mars, wielding death rays and attempting to destroy the Earth; Edgar Rice Burroughs sent John Carter to Barsoom (Mars), where the ...
Julie Sassoon Quartet: Voyages
by Dan McClenaghan
Not all voyages involve smooth sailing. Indeed, pianist Julie Sassoon's Voyages opens on a blustery note. It is a quartet outing--as opposed to Sassoon's 2021 solo set, When You Can't go Outside...Go Inside (Jazzwerkstatt), with the pianist joined by reedman Lothar Ohlmeier, bassist Meirad Kneer and drummer Rudi Fischerlehner. The opener, “Missed Calls," sounds like a ...
Collin Sherman: Suitable Benchmarks of Reform
by Dan McClenaghan
Multi-reedist Colin Sherman's thirteenth album, Suitable Benchmarks Of Reform, was made from the same template from which his previous twelve releases came into being—recording alone in his New York City apartment, recording the individual parts then layering each onto the next to make an ensemble sound. This, in the time of the arrival of the Covid ...
