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Results for "Dan McClenaghan"
Philippe Cote / Francois Bourassa: Confluence
by Dan McClenaghan
Confluence, on its surface, may come off as a minor work of art. It is the juxtaposition of just two instruments--saxophone and piano--braiding sounds together in what seems an improvisational mode. Francois Bourassa stays in the piano chair. Philippe Cote's seating arrangement shifts between tenor and soprano saxophones, piano and prepared piano. But the limitation of ...
Trio San: Hibiki
by Dan McClenaghan
Put a vibraphone into a small ensemble, listen in and the label “exotica" might come up--that exotic music pioneered by Martin Denny and Juan Garcia Esquivel. The pairing of pianist Satoko Fujii and vibraphonist Taiko Saito--a duo they call Futari--on their two terrific albums, Beyond (2021) and Underground (2022), both on Libra Records, sounded like exotica ...
Kevin Sun: The Depths of Memory
by Dan McClenaghan
Saxophonist/composer Kevin Sun's 2 CD set, The Depths Of Memory, is said to be more suited to focused listening than to the “convivial distractions of a jazz club." That rings true. From CD 1's opener, “All This Stillness," subdivided into seven sections, the album finds the saxophonist and his bandmates sounding as if they have slipped ...
John Bishop / Bram Weijters / Piet Verbist: Antwerp
by Dan McClenaghan
Drummer John Bishop, the guy who runs Seattle's Origin Records, does not often put out records under his own name. There was Nothing If Not Something (Origin Records) in 2005, review here, and then nothing until the disc at hand, 2023's Antwerp. Not that Bishop has avoided the recording studio. He is, as a sideman, in ...
Allison Au: Migrations
by Dan McClenaghan
Canadian saxophonist Allison Au says she was drawn to the simplicity of a jazz quartet “as a vehicle for realizing the visions of my original compositions." Charlie Parker must have felt the same way; Art Pepper, too. And John Coltrane. Au stuck to this format for her Wander Wonder (Self Produced, 2018) and 2017's self-produced Forest ...
Ilios Steryannis: Babylonia Suite
by Dan McClenaghan
Canadian drummer Ilios Steryannis traces his family roots back 2,500 years to ancient Babylonia. With his Babylonia Suite, he explores the family tree and his maternal grandparents' diasporic journey from Baghdad to Mumbai to Manchester and finally to Canada with a world music selection of sunshine bright music, with eleven life-affirming compositions. The instruments include piano, ...
David Janeway: Interchange
by Dan McClenaghan
Unearthing and releasing old music--even sounds sourced from decades old tapes--has become common in jazz. Pianist Bill Evans (thank you. Zev Feldman) has enjoyed something of a twenty-first-century renaissance. Pianist Fred Hersch released @ The Village Vanguard (Palmetto Records, 2018), recorded in 1997; and 2021 saw the posthumous release from pianist Masabumi Kikuchi, Hanamichi (Red Hook), ...
Teri Parker: Shaping the Invisible
by Dan McClenaghan
Here is how to take an artistic vision to the next level: Find a room with a lock on the door. Step inside. Engage the lock. Examine the work of those who came before you. Then begin the process of your own creativity. This worked for pianist/composer Parker--so says her sophomore recording, Shaping The ...
Antonio Flinta: Peripheral Songs
by Dan McClenaghan
In July 2021 Chilean-born, Italian-based pianist & composer Antonio Flinta went into a recording studio near Florence to record his first solo piano album. Spontaneity and freshness of expression were the goals. In two hours he had twenty pieces--improvisations, covers and originals. The initial result of this effort was Secrets of a Kiri Tree (Self Produced, ...
Charu Suri: Rags & Ragas
by Dan McClenaghan
To paraphrase an old saying: You can take the girl (geographically) away from the raga, but you cannot take the raga away from the girl... Pianist Chatu Suri was born in India, where the raga holds sway, and she listened to the ragas her father played on the radio. But she left her homeland ...
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