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293

Article: Album Review

Hal Galper/Jeff Johnson/John Bishop: Furious Rubato

Read "Furious Rubato" reviewed by Dan McClenaghan


Pianist Hal Galper spent a big part of his career working with some of the giants of the mainstream, players like trumpeter Chet Baker, alto saxophonist Cannonball Adderley, guitar master John Scofield and bop alto sax legend Phil Woods. With his Agents of Change (Fabola Records, 2006), a trio outing with drummer Billy Mintz and bassist ...

400

Article: Album Review

Grace Kelly: Every Road I Walked

Read "Every Road I Walked" reviewed by Dan McClenaghan


Singer, songwriter and alto saxophonist Grace Kelly's photograph--and her smiling face--grace the cover of her third release, Every Road I Walked. She's about as cute as a young woman can be, but at fourteen years of age (almost fifteen), you have to wonder about her artistic maturity and depth. A clue: she's wearing Phil Woods' hat, ...

161

Article: Album Review

Jeff Baker: Shopping for Your Heart

Read "Shopping for Your Heart" reviewed by Dan McClenaghan


Jeff Baker's first major exposure came at the Lionel Hampton Jazz Festival, backed by the Lionel Hampton Trio. The vocalist was sixteen years old at the time. He'd won the Jazz Fest's solo vocal competion, and he had the word “promising" written all over him. He has since released three CDs on OA2, the promising Baker ...

127

Article: Album Review

Jan Eisen: Summer Me, Winter Me

Read "Summer Me, Winter Me" reviewed by Dan McClenaghan


Some advice for jazz singers: record your disc as if it were a club date. Do it live in the studio; forget about headphones and separate booths, overdubs and tweaking stuff after the fact. Just do it, as they say. Let the music breathe. That's exactly what vocalist Jan Eisen does with Summer Me, Winter Me, ...

124

Article: Album Review

Satoko Fujii / Natusuki Tamura: In Krakow in November

Read "In Krakow in November" reviewed by Dan McClenaghan


Listening to In Krakow In November might make you think that a European influence has tamed the avant approach of pianist Satoko Fujii and trumpeter Natsuki Tamura. This set, along with two recent releases by Tamura's Gato Libre group--featuring Fujii on accordion--are tinted by their explorations of European folk and classical forms. They also deliver relatively ...

378

Article: Album Review

Ryan Burns / Geoff Cooke / Jose Martinez: Tree-O

Read "Tree-O" reviewed by Dan McClenaghan


Tree-O, a Ryan Burns-led piano trio affair, caught me by surprise. I was already familiar with Burns' work with Matt Jorgensen + 451 on the CD Hope (Origin Records, '04) and an excellent live show with that group at Dizzy's in San Diego, so I thought this effort would fall into the forward-lean/electric keyboard category. But ...

461

Article: Album Review

Oscar Peterson: Perfect Peterson: The Best of the Pablo and Telarc Recordings

Read "Perfect Peterson: The Best of the Pablo and Telarc Recordings" reviewed by Dan McClenaghan


The back cover photo on this two-disc set is a shot of the inimitable Oscar Peterson in a light-toned suit with a wide necktie that sports a swirling, quasi-paisley pattern. The photo's in black and white, but we can guess at a riot of colors; and that phrase could serve as a decription of Peterson's piano ...

213

Article: Album Review

Gebhard Ullmann / Chris Dahlgren / Art Lande: Die Blaue Nixe

Read "Die Blaue Nixe" reviewed by Dan McClenaghan


This sounds like music that hangs out in a dark corner of the room, gently beckoning the listener into a different dimension.Multi-reedist Gebhard Ullmann, with over forty CD releases as a leader/co-leader to his name, records with a variety of different ensembles, large and small, but he seems to have a special affinity for ...

178

Article: Album Review

Craig Buhler: Capistrano Sessions

Read "Capistrano Sessions" reviewed by Dan McClenaghan


Welcome to the West Coast, and welcome to some buoyant cool jazz on Capistrano Sessions. Multiple reedist Craig Buhler (clarinet, alto and tenor saxophones) takes us on a “trip along the Pacific Coast" on this recording. This quintet outing fits the mold of fellow West Coaster Art Pepper's sound, though Buhler and his mates have perhaps ...

231

Article: Album Review

Jim McNeely / Kelly Sill / Joel Spencer: Boneyard

Read "Boneyard" reviewed by Dan McClenaghan


I'd take the bet that a good percentage of jazz fans--those of my generation, at least--got their start in jazz via Miles Davis, John Coltrane, Art Blakey and Dave Brubeck, mainly piano/bass/drum rhythm sections behind one or more horns. And I can remember wondering why Miles, Cannonball Adderley and John Coltrane sat out on “Billy Boy" ...


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