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230

Article: Album Review

Roberto Magris Trio: Kansas City Outbound

Read "Kansas City Outbound" reviewed by Dan McClenaghan

by Dan McClenaghan

Italian pianist Roberto Magris has, much in the mode of American piano icon Jessica Williams, melded multiple influences to shape his style. He channels McCoy Tyner, John Coltrane's pianist in his 1960's rise to jazz stardom, on Kansas City Outbound's opener/title tune. Dense chords and a powerful percussive attack are the well-executed game plan for the ...

309

Article: Album Review

Jan Garbarek Group: Dresden

Read "Dresden" reviewed by Dan McClenaghan

by Dan McClenaghan

For those new to the explorations of jazz, Norwegian saxophonist Jan Garbarek could be a new name. Never a prolific artist, Dresden is his first release in five years, following In Praise of Dreams (ECM Records, 2004). It was another five years between that disc and its predecessor, Mnemosyne (ECM Records, 1999).But for fans ...

351

Article: Album Review

George Colligan: Come Together

Read "Come Together" reviewed by Dan McClenaghan

by Dan McClenaghan

New York-based pianist George Colligan has been prolific since his 1996 debut, Activism (Steeplechase Records), releasing nineteen CDs as a leader. He keeps it fresh with Come Together, a very energetic and modern-sounding piano trio affair.The set opens with the title tune, written before Colligan was born (just barely, in 1969). Penned by John ...

307

Article: Album Review

Randy Brecker: Nostaglic Journey: Tykocin Jazz Suite

Read "Nostaglic Journey: Tykocin Jazz Suite" reviewed by Dan McClenaghan

by Dan McClenaghan

Trumpeter Randy Brecker's jazz credentials are of the highest order. The Brecker Brothers, the group he co-led with younger brother/saxophonist Michael, was one of the most successful jazz/funk/fusion groups of the 1970s and '80s. But jazz snobbery/elitism never ran in the family. Brecker has played and recorded with seemingly everybody, from the original Blood, Sweat and ...

422

Article: Live Review

Leigh Sutherlin at Tango Del Rey, San Diego, CA

Read "Leigh Sutherlin at Tango Del Rey, San Diego, CA" reviewed by Dan McClenaghan

by Dan McClenaghan

Leigh Sutherlin QuartetTango Del ReySan Diego, CaliforniaAugust 16, 2009San Diego may not have the most robust of jazz scenes, but there are clubs out there doing their share to shine a bright light on artists local and national. Dizzy's In Downtown has been a local mainstay, featuring artists as diverse as ...

385

Article: Album Review

Samuel Blaser: Pieces of Old Sky

Read "Pieces of Old Sky" reviewed by Dan McClenaghan

by Dan McClenaghan

Pieces of Old Sky could be called furtive jazz. The quartet--trombone, bass, guitar and drums--sneaks around the perimeter of the room, leaving big swaths of space. It sounds as if there are mysteries in this music, secrets in Samuel Blaser's sonic world. Swiss-born trombonist Blaser treads a free jazz territory that is similar in ...

311

Article: Album Review

Fred Hess Big Band: Hold On

Read "Hold On" reviewed by Dan McClenaghan

by Dan McClenaghan

Fred Hess has been prolific this millennium. For those familiar with the Denver-based saxophonist's last six discs, however, Hold On may come as a surprise. Since 2004, Hess has immersed himself in the art of the piano-less quartet, before augmenting his group--first, with a second saxophonist, and then a guitarist, moving from quintet to sextet and ...

395

Article: Album Review

Jessica Williams: Art of the Piano

Read "Art of the Piano" reviewed by Dan McClenaghan

by Dan McClenaghan

Pianist Jessica Williams' third Origin Records CD, The Art of the Piano, brings to mind Brad Mehldau's Art of the Trio series that ran through five discs. In Mehldau's case the recordings were, of course, with his trio, featuring bassist Larry Grenadier and drummer Jorge Rossy (later, Jeff Ballard). Williams' three sets on Origin are all ...

539

Article: Album Review

Edmar Castaneda: Entre Cuerdas

Read "Entre Cuerdas" reviewed by Dan McClenaghan

by Dan McClenaghan

The harp seems such a cerebral instrument, the sound a mix of, light, lush delicacy, refinement and finesse. It is not often heard in jazz outside of large ensemble settings. Columbian harpist/bandleader/composer Edmar Castaneda seems intent on changing that dynamic. On Entre Cuerdas, Castaneda employs a trio of unlikely parts: harp, trombone and percussion, ...

462

Article: Album Review

Ron Thomas / John Swana / Joe Mullen: Elysium

Read "Elysium" reviewed by Dan McClenaghan

by Dan McClenaghan

The sound of Elysium is, in a word, otherworldly. Then throw in the electro-industrial tinge and cold liquid submersion resonance--like the noise of a high tech blacksmith shop on a distant planet with a dense atmosphere and heavier than Earth gravity like Neptune--music of an alien culture, or songs played for cryogenically suspended astronauts slumbering their ...


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