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Simon Phillips: Protocol II
by Dan Bilawsky
Protocol II arrives fourteen years after drummer Simon Phillips' last leader date--the hard bop and post-bop based Vantage Point (Jazzline Records, 2000). And it comes approximately a quarter century after the original Protocol (Music for Nations, 1988)--a true solo date that had Phillips covering all the instruments, filling in the space around his calling-card drumming.
Mitch Shiner And The BloomingTones Big Band: Fly!
by Dan Bilawsky
"Hoosier Jazz" isn't an actual sub-genre of music, but that geographical tag fits this album so well. Drummer/Percussionist Mitch Shiner, a graduate of Indiana University's Jacobs School of Music, put together a Bloomington-based big band built around his IU chums, be they students, alums, local hotshots or professors. Then he simply fed them some killer arrangements ...
Roger Davidson: Temple Of The Soul: Rhapsodies & Meditations For Solo Piano
by Dan Bilawsky
Pianist Roger Davidson isn't a fan of repeating himself. With each album he's shined a light on a different facet of his artistry, marrying a classicist's outlook and touch with a fascination for anything and everything musical. He's looked at the sounds of Brazil from different perches, explored the tango in detail, tackled the music of ...
Eric Harland's Voyager: Vipassana
by Dan Bilawsky
Much is said about records once they've come into the world, but little is discussed about the motive(s) surrounding the birthing of a record. Sometimes it's simply about marketing, exposure, money, and pure narcissism. There's nothing necessarily wrong with that on some level(s), and many classic albums have been made with little to nothing else in ...
The Core Trio with Matthew Shipp: The Core Trio With Matthew Shipp
by Dan Bilawsky
One trio. One guest. A single, forty-two minute, freely improvised piece. That's what you basically have here, but such a bare description doesn't do it justice. The Core Trio--a group that has yet to actually record as a stand-alone trio--has an interesting history that seems to always revolve around personnel twists. The group ...
Steve Wilson/Lewis Nash: Duologue
by Dan Bilawsky
Saxophone and drum duos aren't as rare as some might believe, but a good percentage of such encounters are challenging, left-leaning affairs. John Coltrane's edgy encounters with Rashied Ali on Interstellar Space (Impulse!, 1974) emboldened many in the so-called avant-garde to marry these instruments time and again over the ensuing decades, yet few centrists seem as ...
Eric Wyatt: Borough Of Kings
by Dan Bilawsky
The borough of Kings (County)--a.k.a. Brooklyn, NY--has been saxophonist Eric Wyatt's home base from birth. It was there that he was exposed to jazz, met some of the legends of the music, and began to forge his own voice on saxophone. Here, on his fifth album to date, he delivers an intense brew that speaks volumes ...
Audrey Martin: Living Room
by Dan Bilawsky
Music and therapy aren't so different. In fact, many view music as therapy; it provides an outlet for expression for those who create, it helps those on the receiving end to find meaning in life, and it provides the means for people on both sides to look inside and beyond themselves. Countless individuals understand the nexus ...
Laurie Antonioli: Songs Of Shadow, Songs Of Light: The Music Of Joni Mitchell
by Dan Bilawsky
The concept of a jazz-informed program of Joni Mitchell tunes isn't exactly novel anymore. Herbie Hancock's high profile River: The Joni Letters (Verve, 2007) took home two Grammy Awards; vocalist Tierney Sutton got some well-deserved attention when she put her own spin on Mitchell's work with After Blue (BFM, 2013); somewhat under-the-radar releases from artists like ...
Sean Jones: Im•pro•vise-Never Before Seen
by Dan Bilawsky
Sean Jones, the former lead trumpeter of the Jazz at Lincoln Center Orchestra, never hides behind anything or anyone when he plays. That being said, it's still worth noting that he's pulled back the curtain on this one, revealing more of himself than in the past. This album--his seventh album in ten years on the Mack ...
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