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Pram Trio: Saga Thirteen
by Dan Bilawsky
To the casual observer, a perambulator--pram, for short--is simply what it appears to be: a baby carriage. But to the pram's inhabitant(s), it's something else entirely. To those wee babies, the carriage is, in fact, a world in motion and a home away from home that serves as a vehicle for travel to new realms. They ...
Sari Kessler: Do Right
by Dan Bilawsky
In just under five minutes--the running time for producer/percussionist James Shipp's album-opening arrangement of “Walk On By"--Sari Kessler successfully makes the case that jazz singing is her real métier. That particular truth may not have materialized until recent times, as Kessler walked away from a career as a clinical psychologist to pursue a life in music ...
Henry Threadgill Ensemble Double Up: Old Locks And Irregular Verbs
by Dan Bilawsky
The premiere of Old Locks and Irregular Verbs--Henry Threadgill's tribute to his longtime friend and colleague, musical pioneer Lawrence D. “Butch" Morris--was easily one of the most talked about events at the 2014 edition of New York's Winter Jazzfest. The buzz factor and expectation surrounding this work and the band performing it was so strong, in ...
Hendrik Meurkens: Harmonicus Rex
by Dan Bilawsky
While the swing side of harmonica master Hendrik Meurkens' personality has basically been dormant for the past fifteen years, it hasn't disappeared. After highlighting his Brazilian jazz bona fides on record after record, Meurkens now returns to straight-ahead jazz on this instantly pleasing date. Harmonicus Rex, despite it's humorously monstrous title, isn't a ...
Edwin G. Hamilton: The Whole World Must Change
by Dan Bilawsky
Edwin G. Hamilton plays drums, sings, covers organ, adds strings, writes, supplies percussion, provides piano, and includes some vibraphone work on this album. To say he's a musical jack-of-all-trades would be an understatement. But let us leave out the second part of the phrase, because he's actually quite accomplished in most of those categories.
Leslie Pintchik: True North
by Dan Bilawsky
Leslie Pintchik's music has a magical draw to it. Perhaps it has to do with her pearly and softly pronounced piano work, at once circuitous and direct in the way it shapes and navigates expressive pathways. Or maybe it has to do with her compositional acumen. Her pieces, after all, have a way of registering and ...
Harp Happenings: Brandee Younger And Pacific Harp Project
by Dan Bilawsky
Harp happenings are relatively rare in jazz, but they are there. And when two highly agreeable and strikingly different harp-centric affairs appear on your doorstep around the same time, it really makes you stop and take notice of the instrument, its potential, and the players who are moving it forward and outward in various directions. Both ...
JMancera: Mancera #5
by Dan Bilawsky
Contemporary jazz can't compare to its straight-ahead and left-of-center relatives in terms of complexity, weight, and scope, but that doesn't mean it has absolutely nothing to give. The masses who are taken with this form of music are well aware that it offers an escape, giving off thoughts of sunny days, sandy beaches, and starry nights. ...
Ira Hill: Tomorrow
by Dan Bilawsky
Ira Hill. Remember that name, for you're likely to see it in print a lot more in the future. While this up-and-comer was still in his late teens when this album was recorded and released, you'd never know that from a blind listen. His debonair delivery, sure-voiced scatting, and all-around taste belie his years. And the ...
Charles Lloyd & The Marvels: I Long To See You
by Dan Bilawsky
If ever there was an eternal explorer, it's Charles Lloyd. This inquisitive soul has made a career out of surveying new frontiers, both within himself and beyond the borders of his own being. He's taken every opportunity to peer and travel into the unknown, allowing only the sound and the spirits to serve as his guides. ...
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