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Clarice & Sergio Assad: Reliquia
by Dan Bilawsky
Past and present are entwined in so many beautiful ways on Reliquia--the first collaboration between the father-daughter combination of guitarist Sergio Assad and vocalist Clarice Assad. Together these two trace a backwards course from today's vantage point, exploring their own musical bloodlines and those of their native Brazil. In doing so, they bring together a collection ...
Louis Heriveaux: Triadic Episode
by Dan Bilawsky
Where has Louis Heriveaux been hiding? That's the first question/thought that pops into the head after hearing this music. But truth be told, Heriveaux hasn't been hiding at all. We--the jazz public at large--just haven't had enough exposure to his talent(s). Heriveaux has racked up sideman credits with major jazz figures like guitarist Russell Malone and ...
Mike Jones Trio: Roaring
by Dan Bilawsky
The musical legacy of The Roaring Twenties is alive and kicking. For his second date on the Capri imprint, pianist Mike Jones decided to pull together a collection of Jazz Age nuggets and drop into the studio for a nonchalant session with bassist Katie Thiroux and drummer Matt Witek--a blue-chip rhythm duo whose musical stock has ...
Quincy Jones And His Orchestra: Live In Ludwigshafen 1961
by Dan Bilawsky
Artistic dreams and financial realities are rarely in alignment. That's a sad fact that the great Quincy Jones learned the hard way at the dawn of the '60s. Jones was in Europe at the time, directing a dream orchestra that he put together for the musical Free And Easy. When that show closed in February of ...
David Gibson: Inner Agent
by Dan Bilawsky
The idea of creating a safe space to allow for disregarding safety may be paradoxical in nature, but it makes perfect sense when contextualized or couched in jazz terms. There can be no resolution of faith in one's surroundings and colleagues without taking the trust fall, there can be no reward without risk, and there can ...
The Branford Marsalis Quartet with Special Guest Kurt Elling: Upward Spiral
by Dan Bilawsky
To one extent or another, jazz has always maintained a discriminatory dividing line between vocalists and instrumentalists. Instead of being viewed as equals--artists on par with all the rest, possessing the same good sense, skill, and stake in an artistic outcome--vocalists have often been unfairly stigmatized and interned in a separate category. But all of that ...
The Tony Lustig Quintet: Taking Flight
by Dan Bilawsky
With this sterling date, up-and-comer Tony Lustig ascends to his rightful place in the pantheon of baritone saxophonists operating today. He brings together a crack crew and delivers eight originals that simultaneously dare and delight. This music marks Lustig as a centrist, but one who's willing to take some risks and push at ...
Will Vinson: Perfectly Out Of Place
by Dan Bilawsky
Perfectly Out Of Place--the sixth album from saxophonist Will Vinson--is a marvel of compositional design, textural beauty, and musicality. It's both in keeping with his previous work and several steps beyond and above. While Vinson is essentially sticking with his favored quintet format on this one, he's expanded his sonic palette by adding ...
Bobby Avey: Inhuman Wilderness
by Dan Bilawsky
The failings and callousness of mankind have long served as muse and model for artists, but rarely have such negative stimuli yielded such powerful, probing, and positively mesmerizing work as what can be heard on Inhuman Wilderness. This fifth album from pianist Bobby Avey provides extraordinarily intense and thoughtful musical commentary on topics ...
Marcus Strickland's Twi-Life: Nihil Novi
by Dan Bilawsky
When you wipe away all of the minutiae and technical matters involved with the recording process, there are really only two schools of thought on the subject: You either aim to capture what's literally there or you choose to produce something that's not. Everything else is semantics and dealing with variants, mixtures, and/or a balance between ...
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