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Results for "Dan Bilawsky"
Diego Barber: One Minute Later
by Dan Bilawsky
Diego Barber's One Minute Later is something of a dance between certainty and dubiety, grounded in the guitarist-composer's convictions that the truth behind an improviser's feelings and musical fate relate directly to that which Federico García Lorca described in Poeta en Nueva York as a minute of contrition that comes with--or follows-- complete liberation. It's a ...
Champian Fulton: Speechless
by Dan Bilawsky
Speechless is a date that may be best classified as a centrist statement, but it's far from the norm for Champian Fulton. While many have come to know and admire Fulton for her arresting vocals and piano work, both usually given in service to Great American Songbook classics, she's not conforming to those expectations here. For ...
Jorn Swart: Malnoia
by Dan Bilawsky
The debut from Dutch pianist Jorn Swart--A Day In The Life Of Boriz (Mainland Records, 2013)--presented music with an eccentric tilt crafted by a fairly conventional quartet. This sophomore date continues along an offbeat path, delivering an incredibly absorbing collection of curious curios, but it does so with a less-than-conventional instrumental line-up in place.
Alex Wintz: LifeCycle
by Dan Bilawsky
Life cycles mark and determine how we develop, where we travel, and why we arrive and thrive in different places, figuratively and literally, at any given time. That's the point that guitarist Alex Wintz's music makes here, as this project takes its cues from the larger natural theme while growing specifically from his own personal and ...
Greg Skaff: Soulmation
by Dan Bilawsky
Guitarist Greg Skaff is all about the grease, grit, and grooves on Soulmation. It's a logical extension of his previous work--guitar-fronted organ group dates like East Harlem Skyline (Zoho Music, 2009) and 116th & Park (Zoho Music, 2012)--but it's a tad heavier, raunchier, and funkier than anything Skaff threw us on those records. His approach here ...
Sidney Jacobs: First Man
by Dan Bilawsky
Call this R&B-inflected jazz, jazz-informed soul, or soul-soaked singer-songwriter fare with a chaser of standards and surprises. You can take your pick, as all of those descriptors are basically on the money. But it doesn't really matter how you tag this. It's fine music by any name. Sidney Jacobs' second album, following the ...
Christian Sands: Reach
by Dan Bilawsky
A lot plays into the success of an artist's reach, with content and presentation obviously ranking high on the list. But above all, an artist has to be willing to extend a hand if they expect listeners to do the same. Many simply reach for the musical stars without really considering the need to reach out ...
Anat Cohen's Brazilian Bonanza: Outra Coisa and Rosa Dos Ventos
by Dan Bilawsky
It's not exactly a secret that Anat Cohen is smitten with the music of Brazil. Her clarinet is a key voice on the Choro Ensemble's albums, she's peppered her own dates with the work of Milton Nascimento, Chico Buarque, Luiz Bonfa, and Hermeto Pascoal, and she made the rounds in New York clubs--and on a pair ...
Peter Campbell: Loving You: Celebrating Shirley Horn
by Dan Bilawsky
Put aside notes, chords, rhythm, and the rest of the composite parts that add up to a song, for none of it means a thing if there's no real story to tell and no true artist to mold and honor the truth in the tale. The late Shirley Horn had an instinctual understanding about that fact, ...
David L. Harris: Blues I Felt
by Dan Bilawsky
The blues isn't merely a form or genre. It's an emotional response, a personal internalization of an idea that invites extemporization in its reflection. While there's a specific progression and certain stylistic considerations that mark music as such, there's undeniable variety within the fixed aspects. No two people feel, sing, or play the blues exactly the ...
