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Stefanie Schlesinger: Reality
by Dan Bilawsky
Reality is relative. For some, it's a direct reflection of the walk of life; for others, it's embedded in what's heard and seen from a safe distance--music encountered in a concert hall or club, movies and television shows taken in from the couch or the theater--and the merging of art and entertainment with daily existence. This ...
Steve Sandberg Quartet: Alaya
by Dan Bilawsky
The best word to sum up pianist Steve Sandberg's work is expansive. If his own performance history doesn't make that point clearly enough--he's hobnobbed with Brazilian music royalty like the Gilberto clan, made his mark on the salsa world by working with artists like Ruben Blades and Celia Cruz, touched down time and again in the ...
Uri Gurvich: Kinship
by Dan Bilawsky
It's all about fellowship, culture, and concordance of spirit and sound. Put simply, saxophonist Uri Gurvich's Kinship is diversity and unity in league.Gurvich's third release, following The Storyteller (Tzadik, 2009) and BabEL (Tzadik 2013), keys in on many of the same aspects as his earlier work. The music is a multicultural amalgam that speaks ...
Kathleen Gorman: I Can See Clearly Now
by Dan Bilawsky
I Can See Clearly Now testifies to the durability and pliability of everlasting songs while also opening up the floor to new ones. Kathleen Gorman, a pianist-vocalist-composer based in Toronto, fronts a quintet on a trip through six covers and four originals, speaking to truth through her own music and smartly-arranged renditions of some time-tested classics. ...
Denny Zeitlin & George Marsh: Expedition
by Dan Bilawsky
While fear often paints the idea of spontaneous creation as a sea of uncertainty, openness tend to shape it as an ocean of possibility. The difference all comes down to how you look at it and the way you choose to operate. To exist in the latter mindset, and boldly travel to new and unknown realms ...
Brian Landrus: Generations
by Dan Bilawsky
Brian Landrus established himself as a composer of great strength and substance, and rose to his position as one of the foremost low reed specialists on the scene, through albums like the expansive Mirage (Blueland Records, 2013) and the trio-centric The Deep Below (Blueland, Records/Palmetto Records, 2015). But even well wrought and absorbing dates like those ...
Innocent When You Dream: Dirt In The Ground
by Dan Bilawsky
Everybody loves Tom Waits. Okay, that may be a bit of an exaggeration. But a hell of a lot of musicians admire his work. There are far too many acts to list that have taken a stab at a single Waits song at one time or another--everybody from Diana Krall to The Ramones--and artists as dissimilar ...
Charles Lloyd: Passin' Thru
by Dan Bilawsky
Admit it. You were wondering if Charles Lloyd's post-millennial quartet was no more. Am I right? We haven't really heard from that group in a while, so nobody could blame you for thinking it. When Lloyd made the jump to Blue Note Records in 2015, his opening salvo came in the form of ...
Adam Rogers: DICE
by Dan Bilawsky
At some point in time, fusion lost its way. Some say it never really had a firm enough direction, existing only as a symbol of excess, power, and virtuosity to begin with. But those steeped in '70s and early '80s music of this sort know the truth: A perfect blend of rip-roaring lines, one-step-beyond melodicism, feats ...
Akiko Tsuruga: So Cute, So Bad
by Dan Bilawsky
On more than one occasion I've sat back while listening to jazz organ giants of yore and thought to myself, “they don't make 'em like this anymore." And while it's true that one-of-a-kind greats like Jimmy Smith, Shirley Scott, Big John Patton, Brother Jack McDuff, Charles Earland, and Jimmy McGriff are gone for good, and nobody ...
