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André Carvalho: The Garden Of Earthly Delights
by Dan Bilawsky
This third album from Portuguese bassist André Carvalho is a study in contrasts. Inspired by the work of artist Hieronymus Bosch—his style in general and, of course, the titular painting—Carvalho set about composing a long-form work reflecting the range and balance of character(s) endemic to the mysterious Dutch painter's creations. This stunning suite is the result. ...
Dave Stryker: Eight Track III
by Dan Bilawsky
If an idea works, you might as well ride it to its logical conclusion. Following vibraphonist Stefon Harris' advice along those lines in this context, guitarist Dave Stryker completes his Eight Track odyssey with the delivery of the third volume of jazz takes on '70s radio staples. Harris, after having passed the mallets off to fellow ...
Tierney Sutton Band: ScreenPlay
by Dan Bilawsky
A cinematic sweep has long been present in the music of the Tierney Sutton Band, but never before have the stories been so vivid and the colors as striking. With ScreenPlay this long-running group adopts and adapts material from the silver screen, creating high art that's spellbinding and eminently listenable. In the past, ...
Larry Koonse: New Jazz Standards, Vol. 4
by Dan Bilawsky
This fourth volume in a series of recordings saluting and promoting the music of trumpeter Carl Saunders is every bit as sophisticated and attractive as its predecessors. Guitarist Larry Koonse leads the way through a dozen songs with supreme style and grace, comfortably placing this collection right next to earlier Saunders sets helmed by flutist Sam ...
Gabrielle Stravelli: Pick Up My Pieces: Gabrielle Stravelli Sings Willie Nelson
by Dan Bilawsky
To say that Willie Nelson has been directly influenced by jazz is to state the obvious. Listen to the ever-reliable Stardust (Columbia, 1978) or check out any number of his latter-day releases--American Classic (Blue Note, 2009), Summertime: Willie Nelson Sings Gershwin (Sony, 2016), My Way (Sony, 2018)--to experience that truth in repertoire; give his meeting with ...
Ben Winkelman: Balance
by Dan Bilawsky
Jazz, much like life, is an art of balance, a forever dance on the scales which keep our sanity and existence in check. Form must always reckon with freedom, scripts and spontaneity are bound by mutual understanding, and intellect blossoms truest as it holds the heart in high regard. Only in a state of relative equilibrium ...
Jay Anderson: Deepscape
by Dan Bilawsky
Bassist Jay Anderson has long been the rock to locks things in place and the harmonic tether to hold it all together. He appears on more than 400 albums, having served as the anchor for everybody from Lynne Arriale to Frank Zappa, and he's one of the most steady and dependable low-end quantities on the scene. ...
Misha Tsiganov: Playing With The Wind
by Dan Bilawsky
Pianist Misha Tsiganov seems to further his creative reach with each date he delivers. While calculation and supreme specificity with the pen always help to keep things grounded in his music, the level of daring in Tsiganov's compositions and the high degree of spontaneity he brings to the fore through his piano help to continually push ...
Dan McCarthy: Epoch
by Dan Bilawsky
As intimated by the gray horizons on this album's cover, there's a silvery beauty and dusky design element at play in Epoch. Vibraphonist Dan McCarthy, a Canadian-turned-Brooklynite with a keen appreciation for suspense and patient development, tests the boundaries and borders of shadows and shape with stunning results. Elevated by the pillars of mystique and mournfulness, ...
Scott Robinson: Tenormore
by Dan Bilawsky
When attempting to lend form to the term “rara avis" in jazz, Scott Robinson instantly appears in the mind's eye. He's most easily recognized these days as a horn heavy on the most standard of heavy horns, adding ballast and low-end individuality to the sound of Maria Schneider's orchestra with his baritone saxophone, but Robinson is ...
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