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Jesse Mogale: Heritage from an African Continent
by Dan Bilawsky
The debut from Jesse Mogale is a statement of self-understanding and an elaboration on relational identity—this South African bassist's means of discovering himself and creating music driven by and juxtaposed against broader backdrops, including the reach of his own past, the culture of his homeland, the shape and history of the entire African continent and the ...
Omar Sosa: An East African Journey
by Dan Bilawsky
Back in 2009, Omar Sosa took part in an eight-stop trio tour of East Africa. Serving multiple purposes, it gave the pianist a chance to work with Senegalese singer Mola Sylla and Mozambican bassist Childo Tomas while connecting with the people, operated as the subject for a French-funded documentary and provided an opportunity for cross-cultural collaborations ...
Nelson Riveros: The Latin Side of Wes Montgomery
by Dan Bilawsky
After delving into the repertoire of legendary guitarist Wes Montgomery at a gig in the not-so-distant past, six-stringer Nelson Riveros was struck with the idea for this tribute project. Playing true to Montgomery's work and legacy, while pulling from his own Colombian roots and imbuing the music with varied elements drawn from the broader Latin lexicon, ...
Michael Wolff: Live at Vitellos
by Dan Bilawsky
As time stretches the fabric of reality, what with venues closed or operating under incredibly restrictive mandates since March of 2020, it's starting to feel like it's been a decade since we've been able to gather in the quiets of a club to take in a rapturous set of music. So it's only fitting that this ...
John Stowell & Dan Dean: Rain Painting
by Dan Bilawsky
Now here's a uniquely compelling set from two of the Pacific Northwest's great individualists on one of jazz's most stalwart imprints. Guitarist John Stowell and multi-hyphenate Dan Dean have each made their respective marks on many Origin dates in the past. The former's instruments have figured into more than 25 recordings there, from solo sets to ...
Nicki & Patrick Adams: Lynx
by Dan Bilawsky
The bonds of brotherhood--literal and figurative--are strong in the music of pianist Nicki Adams and trumpeter Patrick Adams. Using their duo debut as an opportunity to cross-pollinate jazz and classical ideals and language, they revel in connectivity on multiple planes. Each of the Adams brothers selected four pieces for Lynx. All are familiar, ...
Sizeable Outfits, Enviable Outcomes: Large Ensembles In Pursuit Of Excellence
by Dan Bilawsky
Perhaps nothing better symbolizes dogged persistence than the proliferation of large ensembles in every corner of the jazz world. To take on this kind of work can and should be considered injudicious for the rationally-minded, as the investments--time-wise, organizationally, financially, mentally--are beyond compare. But just because the dollars and sense don't add up doesn't mean it's ...
Amanda Tosoff: Earth Voices
by Dan Bilawsky
Building off the lure of language planted in Amanda Tosoff's Juno-nominated Words (Empress Music Group, 2016), this sixth album from the Toronto-based composer and pianist waves poetic in wondrous fashion. Pairing different guest vocalists and collections of musicians with personalized takes on Parnassian beauty of varied sorts, Tosoff cements the bonds between earthly voices and heavenly ...
Frank Carlberg/Gabriel Bolaños: Charity and Love
by Dan Bilawsky
While Frank Carlberg certainly rises to great heights in large-group settings, some of the pianist's most absorbing and thought-provoking work has been built around the intimacy of the duo. Whether we're talking about intrigue-laced meetings with fellow Finn (and drumming great) Klaus Suonsaari, a ballad set featuring tenor saxophonist Noah Preminger, some two-piano play with Ran ...
Daniel Rotem: Solo
by Dan Bilawsky
Back in early March of 2020, tenor saxophonist Daniel Rotem was gathering a broad swath of West Coast talent for his next studio album. He was organized and had plans in motion, but the world had other ideas in mind. Everything quickly shut down and Rotem, like the rest of the global music community, found himself ...
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