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Article: Album Review

Roy Assaf: Respect, Vol.1

Read "Respect, Vol.1" reviewed by Dan Bilawsky


Innovation and as-yet-unheard-of ideals tend to sell headlines in jazz, but they mean nothing without respect for those who paved the road to the present. Many young emerging talents seem content to walk into jazz without doing their due diligence in discovery and digestion, but that often puts them in a peculiar position of being a ...

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Article: Album Review

Roman Filiu: Musae

Read "Musae" reviewed by Dan Bilawsky


Drummer Dafnis Prieto created the Dafnison Music label as a means to control his own work and get his forward-thinking recordings into the hands of the public on his own terms. That, however, doesn't mean he isn't willing to use this imprint as a means to promote the work of other deserving artists. Musae marks the ...

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Article: Album Review

Graham Dechter: Takin' It There

Read "Takin' It There" reviewed by Dan Bilawsky


A quartet is usually a self-contained collection of four, but sometimes these groupings serve as part of a greater whole; guitarist Graham Dechter's foursome does both. Dechter, drummer Jeff Hamilton, bassist John Clayton and pianist Tamir Hendelman serve as the rhythmic power source for the Clayton-Hamilton Jazz Orchestra but they can also stand on their own ...

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Article: Album Review

Weber Iago: Piano Masters Series, Volume 3

Read "Piano Masters Series, Volume 3" reviewed by Dan Bilawsky


Clarity in sound and format link volumes two and three of Adventure Music's Piano Masters Series, but the artists showcased on these solo dates bear little resemblance to one another. Pianist Philippe Baden Powell, who was featured on Piano Masters Series, Volume 2 (Adventure Music, 2012), laid out a diverse piano portfolio filled with classic jazz ...

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Article: Album Review

Tia Fuller: Angelic Warrior

Read "Angelic Warrior" reviewed by Dan Bilawsky


The title of saxophonist Tia Fuller's third album for the Mack Avenue imprint is a bit of an oxymoron, yet it fits her sound so well. Fuller's saxophone work exhibits a bright tone, but her soloing is often full of dark thoughts and her oft-agreeable and positive musical persona belies the fact that she has razor ...

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Article: Album Review

Avishai Cohen - Trumpet: Triveni II

Read "Triveni II" reviewed by Dan Bilawsky


Trumpeter Avishai Cohen had already reached the upper echelons of the jazz world when he put Triveni into motion, but this trio's debut--Introducing Triveni (Anzic Records, 2010)--still managed to mark a quantum leap in his artistry. The Israeli-born horn man first made stateside ripples when he placed third in the Thelonious Monk Jazz Trumpet Competition in ...

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Article: Album Review

Jordan Young: Cymbal Melodies

Read "Cymbal Melodies" reviewed by Dan Bilawsky


Drummer Jordan Young took the organ quartet outside of its stylistic comfort zone on his debut, Jordan Young Group (Self Produced, 2010), and continues to carve his own path within this format on this enjoyable follow-up. Young reconvenes the quartet from his first leader date, with Avi Rothbard taking the place of guitarist Yotam Silberstein, and ...

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Article: Album Review

Connie Evingson: Sweet Happy Life

Read "Sweet Happy Life" reviewed by Dan Bilawsky


Norman Gimbel's name may not register with a lot of educated jazz fans, yet he's linked to some of the most important songs and artists in the music. Gimbel wrote the lyrics attached to harmonica ace Toots Thielemans' best known number, “Bluesette," captured Michel Legrand's musical moods in words on “I Will Wait For You" and ...

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Article: Album Review

John Yao Quintet: In The Now

Read "In The Now" reviewed by Dan Bilawsky


Freedom and streamlined focus don't often get along on jazz recordings, but when they do, it can make for an inspired outing. Trombonist John Yao managed to merge these divergent pathways into a single direction on his debut album, creating a flavorful feast for the senses. Yao's music is teeming with danger and uncertainty, yet it ...

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Article: Album Review

Russ Nolan: Tell Me

Read "Tell Me" reviewed by Dan Bilawsky


While saxophonist Russ Nolan's move from Chicago to New York in 2002 was an important turning point in his career, his subsequent immersion in the New York Salsa dancing world has had an even greater impact on his music. Nolan learned to free his body and his mind to the effects of the rhythms as they ...


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