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Fieldstone Jazz Festival: Great Neck, NY, June 29, 2013
by Dan Bilawsky
Fieldstone Jazz FestivalGreat Neck, NYJune 29, 2013 While jazz is often performed in spaces befitting its stature--like theaters, auditoriums and swanky supper clubs--it also has a very long history as an alternative venue-housed art form. Over the past century, it's gone from the brothels of New Orleans to the rent parties of ...
Jim Snidero: A Tale Of Taste
by Dan Bilawsky
What's the hallmark of quality jazz? If this question was posed to a group of jazz musicians, each person would no doubt give a different answer that would speak to differences in taste. Some would lean on tradition and others might push the idea of innovation, but few, if any, would actually use taste itself as ...
Australian Allure: The Music Of Gian Slater And Christopher Hale
by Dan Bilawsky
Trying to define or pigeonhole the music and artistry of vocalist Gian Slater and bassist Christopher Hale is an exercise in futility; in fact, reductive tags like “vocalist" and “bassist" don't even really do them justice. Slater and Hale have each managed to transcend the normal parameters of their chosen instrument(s), reaching a place where they ...
Global Noize: SLY Reimagined
by Dan Bilawsky
Keyboardist/Programmer/Conceptualist/Producer Jason Miles has a knack for birthing patchwork tribute albums that don't come off as such. The man behind Miles Davis' Tutu (Warner Bros., 1986) programming has also been the force behind well received album-length nods to Davis, Brazilian bigwig Ivan Lins, pop-jazz crossover saxophonist Grover Washington Jr., and Motown megastar Marvin Gaye. Now, he ...
Bob James & David Sanborn: Quartette Humaine
by Dan Bilawsky
It's much easier to take Quartette Humaine at face value as an organic-and-acoustic outing between two high profile figures known for blurring the pop-jazz line than it is to take it under its marketed premise: a tribute to the famed partnership between pianist Dave Brubeck and saxophonist Paul Desmond. While pianist Bob James and saxophonist David ...
Ken Silverman: Visionaries
by Dan Bilawsky
Most of the world simply lives by the known, but some people fantasize about discoveries and ideas that are beyond the generally accepted scope of possibility. A select few from that list manage to make their dreams turn into reality, and they go down in history as visionaries; these are the people that multi-instrumentalist Ken Silverman ...
Joshua Redman Quartet with The Knights: New York, NY, June 4, 2013
by Dan Bilawsky
Joshua Redman Quartet with The KnightsThe Town HallBlue Note Jazz FestivalNew York, NY June 4, 2013 For a couple of years, it looked like the Big Apple had lost its big jazz festival mojo. New York maintained more than its fair share of jazz gatherings in 2009 and 2010, ...
The Rosenthals: Fly Away
by Dan Bilawsky
In many ways, trumpeter Daniel Rosenthal has always been the odd man out in the Rosenthal clan. The members of this tight-knit, literal-cum-musical family have long been known as a folk and bluegrass breed, but Daniel took a turn toward jazz and never looked back; that is, until recently. After leaving the New ...
Ellingtonian Intimacy: Dukish Duos
by Dan Bilawsky
Duke Ellington elevated the art of big band writing to great heights, but his music was never relegated to the large ensemble corner of the room. While it's true that the large majority of his recordings showcase the ever-evolving, yet incredibly consistent “Orchestra" he fronted, he wasn't averse to presenting his music in small group settings; ...
Jared Gold: Intuition
by Dan Bilawsky
Intuition is organist Jared Gold's sixth outing for the Posi-Tone label in as many years. He walks a similar path on all of his prior dates for this imprint, extending the organ group tradition(s) while fronting trios and quartets and working his way through catchy originals and diverse covers, but no two albums are really the ...
