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Henry Kaiser/Steve Parker/Damon Smith/Chris Cogburn: Nearly Extinct
by Mark Corroto
The title of this improvising free jazz quartet's release Nearly Extinct, is a reference to the current state of instant composing. The cover lists various players (Albert Ayler, Cecil Taylor, John Coltrane), Bands (ICP Orchestra, SME, AMM, AACM, ISKRA 1903), and refers to differing scenes from San Francisco to London and Wuppertal. That title ...
Henry Kaiser - Damon Smith - Weasel Walter: Plane Crash Two
by Glenn Astarita
This album was created shortly after experimental guitarist Henry Kaiser's large ensemble collaboration with fabled Brit guitarist Ray Russell The Celestial Squid (Cuneiform, 2015), as Plane Crash Two marks the second installment of the trio's unadulterated free improvisation exploits. Here, three longtime associates generate that special synergy required to pull it off. Regardless of tempo or ...
Henry Kaiser & Ray Russell: The Celestial Squid
by Troy Collins
The Celestial Squid is an unprecedented summit meeting between two renowned guitarists: legendary British session ace Ray Russell and idiosyncratic Bay Area experimentalist Henry Kaiser. Although best known as a veteran studio musician, Russell's groundbreaking early records revealed a penchant for unbridled free jazz, culminating in his 1971 masterpiece Rites and Rituals (CBS). Since then, Russell ...
I 10 CD nel CD-Player di.... Jeff Albert
by Vincenzo Roggero
01. Jason Roebke -High/Red/Center (Delmark -2014). Trovare un buon equilibrio tra forma e libertà in ensemble di medio/grandi dimensioni è veramente difficile. Jason c'è riuscito molto bene in questo disco con alcuni dei miei musicisti preferiti di Chicago. 02. Alvin Fielder/Dave Dove/Jason Jackson/Damon Smith -From-to-From (Balance Point Acoustics -2013). Vi è ...
Fred Van Hove / Peter Jacquemyn / Damon Smith: Burns Longer
by Eyal Hareuveni
This unique, ad-hoc trio features Belgian master pianist Fred Van Hove, one of the architects of European free improvised music and close collaborator of influential European improvisers such as German reed man Peter Brötzmann, late bassist Peter Kowald, Dutch drummer Han Bennink, fellow countryman and double bassist (and sculptor) Peter Jacquemyn. Both of them rarely recorded ...
Alvin Fielder / David Dove / Jason Jackson / Damon Smith: From-To-From
by Eyal Hareuveni
This quartet represents a meeting of generations and their approaches to jazz and improvised music. The quartet resembles such early free jazz units as the New York Art Quartet or the Archie Shepp--Roswell Rudd Quartet. Veteran drummer Alvin Fielder--the eldest member, with an encyclopedic knowledge of modern jazz drumming--is known for his extensive collaborations with saxophonist ...
Ross Hammond: Holding onto the Wave
by Troy Collins
Sacramento-based guitarist Ross Hammond has been steadily gaining attention, courtesy of a tireless performing schedule reinforced and documented by a series of diverse albums issued on his own Prescott Recordings imprint. Hammond's releases have featured a variety of instrumental lineups, ranging from lyrical solo recitals to frenetic collective improvisations. His most recent endeavor is Cathedrals (Prescott ...
Sandy Ewen / Damon Smith / Weasel Walter
By Damon Smith
Label: ugEXPLODE
Released: 2012
Track listing: 1; 2; 3; 4; 5; 6; 7; 8.
Sandy Ewen / Damon Smith / Weasel Walter: Sandy Ewen / Damon Smith / Weasel Walter
by Eyal Hareuveni
This uncompromising set of free improvisation challenges the very basic concepts of what music is. As seminal improvising guitarist Henry Kaiser writes in his illuminating liner notes: “forget about melody, harmony and rhythm for the moment and listen to everything else that you can hear going on." And there is much going on ...
Weasel Walter / Mary Halvorson / Peter Evans: Electric Fruit
by Clifford Allen
Weasel Walter / Mary Halvorson / Peter EvansElectric FruitThirsty Ear2011 Percussionist and improviser Weasel Walter often uses the term “face rip" to describe a particularly intense musical experience. In improvised music, you often don't get a “blood and guts" approach; free jazz, in many instances, has been ...
