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Article: Album Review

Radio Massacre International: Time & Motion

Read "Time & Motion" reviewed by AAJ Italy Staff


Torna il suono ibrido dei Radio Massacre International. Time & Motion è un doppio album uscito per la Cuneiform Records che aggiunge un tassello in più alla lunga storia del trio britannico dedito a improvvisazioni musicali fra a cavallo fra elettronica d'antan, jazz e rock. Dopo aver dato alle stampe oltre una trentina di album, fra ...

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Article: Album Review

Wadada Leo Smith's Organic: Heart's Reflections

Read "Heart's Reflections" reviewed by Mark Corroto


For Mies van der Rohe, the saying “less is more" might be true. But for trumpeter Wadada Leo Smith, more is always more. Heart's Reflections is his fifth release for Cuneiform Records and, like his three prior efforts, a double CD.Organic, one of Smith's numerous working bands, is a continuation of his Yo Miiles! ...

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Article: Album Review

John Surman: Flashpoint: NDR Jazz Workshop - April '69

Read "Flashpoint: NDR Jazz Workshop - April '69" reviewed by Nic Jones


In the necessarily modestly expansive booklet note which accompanies this CD and DVD set, Brian Morton sets out the development of jazz in Britain, from its point of origin in the early decades of the twentieth century. He also rightly identifies the musical generation that came of age in the 1960s as having no sense of ...

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Article: Album Review

Planeta Imaginario: Optical Delusions

Read "Optical Delusions" reviewed by Mark Redlefsen


The term “progressive," when used to describe jazz fusion/rock, suggests a constant forward movement in the music. On Optical Delusions, Planeta Imaginario's third release (and the group's second for international distribution outside of their homeland of Spain), there is a shift towards a sort of larger jazz group sound. The Barcelona-based group delivers thirteen intricate compositions ...

500

Article: Interview

Wadada Leo Smith: The Teacher

Read "Wadada Leo Smith: The Teacher" reviewed by Franz A. Matzner


Wadada Leo Smith's career as a creative musician spans more than forty years. The trumpeter/composer's myriad accomplishments have been well-documented, particularly recently, as his recoding and performance career have undergone a marked renaissance, the success of which has shown a spotlight not only on his recent undertakings, but also inspired a reexamination of his past works.

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Article: Album Review

John Surman: Flashpoint: NDR Jazz Workshop - April '69

Read "Flashpoint: NDR Jazz Workshop - April '69" reviewed by Troy Collins


Flashpoint: NDR Jazz Workshop--April '69 is a stunning discovery. Featuring unreleased material executed by a unique ten-piece line-up of European jazz luminaries, it provides a fascinating window into the development of British saxophonist John Surman at the very beginning of his career. Capturing an international all-star ensemble working through Surman's formative concepts, this informal studio session ...

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Article: Album Review

Carlo De Rosa's Cross-Fade: Brain Dance

Read "Brain Dance" reviewed by Mark F. Turner


There are “musician-for-hire" gunslingers--professionals employed at a moment's notice to bring their skills to a gig or recording. But the mercenary analogy is only a small part of their repertoire, as many of these invaluable side musicians are leaders and composers just awaiting the opportunity to release their own material. Such is the case with Brain ...

Article: Album Review

The Microscopic Septet: Friday the Thirteenth

Read "Friday the Thirteenth" reviewed by AAJ Italy Staff


Ormai da una ventina d'anni il repertorio standard del jazz ha acquisito la musica di Monk come fosse una cosa naturale. Non solo le prevedibili “'Round Midnight" o “Well You Needn't," rilanciate da Miles Davis negli anni '50 e diventate in qualche modo canoniche; ma soprattutto i brani più personali, irriducibili, ellittici, quelli che solo Coltrane ...

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Article: Album Review

Jason Robinson: The Two Faces of Janus

Read "The Two Faces of Janus" reviewed by Glenn Astarita


In Roman mythology, Janus signified the god of entryways and beginnings, amid two heads that looked to the past and future. On The Two Faces of Janus, however, saxophonist Jason Robinson revealsa multi-contextual and many-sided stance, while maximizing the talents of his estimable support system. Robinson soars to a zenith during his alliances with ...

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Article: Album Review

John Surman: Flashpoint: NDR Jazz Workshop - April '69

Read "Flashpoint: NDR Jazz Workshop - April '69" reviewed by John Kelman


1969 was a watershed year for John Surman. He released his eponymous debut on Dutton Vocalion that year, but it was the recording session for How Many Clouds Can You See? (Vocalion, 1970), that made the year of Woodstock and man's first steps on the moon so portentous for the 25 year-old saxophonist An album effortlessly ...


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