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Manu Katche: Touchstone for Manu
by John Kelman
With only four records released as a leader on ECM, it may seem a little early to release a “best of" disc for drummer Manu Katché. But having since moved on to fellow German label ACT for Live in Concert, while Touchstone for Manu is only being released in North America in the summer of 2015, ...
Mario Pavone: Blue Dialect
by Mark Corroto
Gone are the days where a jazz trio maintains a three month residency, playing nightly in a club. Nor are there world traveling units that refine their skills nightly on the road, working and reworking material. There will be no more piano trios led by the likes of Thelonious Monk and Bill Evans. But have no ...
Marie Kruttli Trio: Kartapousse
by Bruce Lindsay
Kartapousse is the debut album from the Marie Kruttli Trio. Leader and composer Marie Kruttli, born in French Switzerland in 1991, is joined by two more young Swiss musicians, bassist Lukas Traxel and drummer Martin Perret, on a collection of her original compositions. It's a promising start to the trio's career. Apparently, Kartapousse is ...
Intervista a Marcello Giannini
by Angelo Leonardi
Il pubblico italiano del jazz ha conosciuto Marcello Giannini grazie alla scrittura nell'organico “Parco della Musica Jazz Lab" di Enrico Rava. Con questi ha registrato per l'Espresso il CD Jazz Italiano Live 2009 e, qualche anno dopo per l'ECM, Rava on the Dance Floor. Attivo professionalmente da un decennio, in un'area musicale che spazia dal jazz ...
Dre Hocevar Trio: Coding Of Evidentiality
by Mark Corroto
Given the title of drummer Dre Hocevar's recording, the question arises: can one classify or identify a system's disorder, i.e. entropy? The liner notes give us a hint. Laurence Donohue-Greene writes, this trio of Hocevar, pianist Bram De Looze and cellist St.Louis, “develop each improvisation compositionally and with tenacious unity." I suspect, when there is human ...
Chris Lightcap's Bigmouth: Epicenter
by Luca Canini
Ha ancora senso parlare di mainstream? Esiste un jazz che guarda al futuro riuscendo allo stesso tempo ad essere immediatamente riconoscibile e masticabile anche da chi di jazz poco, o niente, ne capisce? Domande oziose soltanto all'apparenza. Che nel loro studiato candore squarciano il velo di una dicotomia che a uno sguardo distratto può apparire insanabile: ...
Chris Lightcap's Bigmouth: Epicenter
by Dave Wayne
Conceived as a continuous seven-part extended work for his band, Bigmouth, the first seven tracks on Chris Lightcap's Epicenter are as remarkable for their diversity as they are for the ways in which they're tied together. The unifying theme here is “New York: Lost and Found," and the music could indeed work as a sort of ...
Jakob Bro, Lee Konitz, Bill Frisell and Thomas Morgan at Musikhuset Aarhus
by Jakob Baekgaard
Jakob Bro, Lee Konitz, Bill Frisell and Thomas Morgan Musikhuset Aarhus Aarhus, Denmark May 9, 2015 Great music gives great expectations. When it was announced that Danish guitarist Jakob Bro was going on tour with the core of players responsible for the musical magic on his trilogy: Balladeering (Loveland Records, ...
Chris Lightcap's Bigmouth: Epicenter
by Budd Kopman
The closing track of bassist Chris Lightcap's muscular and vibrant Epicenter is a very intense and almost brutal version of Lou Reed's “All Tomorrow's Parties" from the 1967 release Velvet Underground & Nico. This tune, which is among Reed's most highly crafted works and which captures the essence of both the times and its subculture, is ...
only sky
by John Kelman
Despite a career that now goes back over three decades, the relative infrequency of releases from guitarist and sound sculptor David Torn renders any new one, at the very least, a cause for speculation...if not enthusiastic anticipation. Beyond the soundtracks that have become one piece of the puzzle that defines who Torn is--and acting as engineer ...
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