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Wasilewski Trio with Joe Lovano and Thumbscrew interpret Braxton
by Bob Osborne
This week we feature the beautiful new album from the Marcin Wasilewski Trio with Joe Lovano, cutting edge improvisation with Cooper-Moore & Stephen Gauci and No Horns, Thumbscrew interpreting the compositions of Anthony Braxton, and, new sounds from Anteloper and Michael Sarian. Also further investigation of the back catalogue of Felice Clemente, something old and something ...
Heavy Rotation For A Pandemic Summer
by Mark Corroto
In the summer of 2020 one result of the COVID-19 isolation, and artists inability to tour and perform is that they have time to deal with projects halted by this pandemic. Musicians, producers, and engineers have mixed, mastered and released an abundance of music. Many of the titles have been, and will be covered by our ...
Highlights of the Final Decade of the First 100 Years of Recorded Jazz (2011 - 2018)
by Russell Perry
This is the last of a series of five programs featuring jazz since 1990, presented as a single selection for each year to reflect trends, career highlights and new artists, at least as the narrative appears from the temporally-challenged context of the last 25 years. The idea to attempt such an abbreviated one-track--per-year survey comes from ...
Julius Windisch Quartet: Chaos
by Vitalijus Gailius
Berlin-based pianist and composer Julius Windisch may not be a household name but he is not a newcomer either. He is a member of the psychedelic electro / jazz / improvisational duo Caesarean Moons, and in 2017 released his debut album, Drama (QFTF), recorded with his quintet. He has also been playing with other musicians on ...
Roscoe Mitchell with Ostravska Banda: Distant Radio Transmission
by Mark Corroto
Sometimes music makes you want to become a better dancer, or maybe even a better lover. With Roscoe Mitchell's music, you can't help but aspire to be a better listener. The co-founder of the Art Ensemble of Chicago and the Association for the Advancement of Creative Musicians creates sounds that transcend jazz, new classical, and avant-garde ...
Cory Smythe: Accelerate Every Voice
by Karl Ackermann
Pianist/electronics artist/composer Cory Smythe's Pyroclastic Records debut Circulate Susanna (2018) was a tongue-in-cheek attribution to the inspiration of a fictional event. He returns to the Kris Davis run label with the intriguing, socially-conscious and genre-less Accelerate Every Voice. Inspired by an assortment of sources: Andrew Hill's Lift Every Voice (Blue Note, 1970), the work of Harlem ...
Matthew Shipp: Poetic Connection
by Seton Hawkins
It is difficult to describe the impact of pianist and composer Matthew Shipp without descending into hyperbole. A core figure in the now-legendary David S. Ware Quartet, a bandleader with a staggering recording output, a groundbreaking curator for the influential Blues Series of Thirsty Ear Records, Matthew Shipp has also more recently broken new ...
Aruán Ortiz with Andrew Cyrille & Mauricio Herrera: Inside Rhythmic Falls
by John Sharpe
Cuban pianist Aruan Ortiz' fifth release for the Swiss Intakt label sits midway between his solo Cub(an)ism (2017) and dates by his Trio such as Live In Zurich (2018). In spite of the title, while there is a greater rhythmic impulse than on the unaccompanied session, the interaction largely pulls back from the intoxicating momentum of ...
Roscoe Mitchell with Ostravska Banda: Distant Radio Transmission
by Karl Ackermann
Roscoe Mitchell, a co-founder of the AACM and Art Ensemble of Chicago, continues to discover new intersections of jazz, classical and avant-garde music with Distant Radio Transmission. As he approaches eighty years of age Mitchell has waved off time and tradition, reinventing the AEoC brand with the orchestrated--sometimes operatic--We Are on the Edge: A 50th Anniversary ...
Miles Okazaki: The Sky Below
by Vincenzo Roggero
Tre quinti dei Five Elements di Steve Coleman più il pianista dei Snakeoil di Tim Berne sono roba da spellarsi le mani e The Sky Below, a tre anni di distanza da Trickster -acclamato debutto del quartetto con Craig Taborn al pianoforte, qui rimpiazzato per l'appunto da Matt Mitchell—non delude le attese. L'avvicendamento tra due fuoriclasse ...
