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Mel Lewis Jazz Orchestra: The Definitive Thad Jones
by George Kanzler
Recorded in 1988, over two decades after the creation of the Thad Jones/Mel Lewis Jazz Orchestra and a decade after Jones left the band, this is also its last recording under Lewis' helm (he died two years later, 20 years ago in February, 2010). As such, it reflects Lewis' concept as well as his and the ...
Jeff Dayton-Johnson's Best of 2009
by Jeff Dayton-Johnson
Jazz Man of the Year honors go without a doubt to Rafael Gilbert of Spain, who attended a performance by Larry Ochs of the ROVA Saxophone Quartet at the Sigüenza Jazz Festival in December, and called the police to report that, whatever it was that Ochs was playing, it wasn't jazz. Ochs was asked to play ...
New Jazz Film: They Died Before 40
Many people may have heard of Charlie Parker, who died at 34. But others, such as Herschel Evans, who died before reaching 30, are very little known and their stories untold. For example, Jo Jones, drummer and an integral part of the Count Basie band for many years, has called Evans the greatest musician he ever ...
Count Basie: Live in Berlin & Stockholm 1968
by Graham L. Flanagan
Count Basie Live in Berlin & Stockholm 1968 Impro Jazz 2009 Every jazz fan, while listening to an album by one of their favorite legends of the genre, occasionally closes their eyes to imagine what it might have been like actually to be there for the recording itself. ...
Count Basie: Then as Now, Count's the King. a Film by Gary Keys, Introduced by Professor Jamal Joseph, School of the Arts, Columbia University
Jazz great William “Count" Basie comes back to life in this rich documentary, which traces the history of the pianist, composer, and bandleader over several decades. Filmmaker Gary Keys juxtaposes a roundtable discussion among old cats from the Count Basie Orchestra with recorded performances, including a cameo appearance in Blazing Saddles. Archival clips and a gallery ...
Fat Cat Big Band: Face
by Edward Blanco
The house band of New York's Fat Cat jazz club in the West Village, The Fat Cat Big Band, finally delivers the last piece of its trilogy project. Face is produced from a 2008, two-night recording session of thirty-one original charts, from which the group's first two albums--Meditations On the War For Whose Great God is ...
John Geggie: Unexpected Conversations
by John Kelman
Most cities have them: musicians who act like a lightning rod, focusing and driving their jazz scenes. In Ottawa, Canada, bassist John Geggie has been one of those significant focal points for two decades, but in particular over the past ten years. He's one of the founding organizers and faculty members of Jazzworks which, amongst other ...
Artie Shaw: Classic Bluebird and Victor Sessions
by Samuel Chell
Artie ShawClassic Bluebird and Victor SessionsMosaic Records2009Shortly after its critically acclaimed box set comprising clarinetist Benny Goodman's essential recordings-- The Columbia and Okeh Benny Goodman Orchestra Sessions (2009), which was released to coincide with the centenary of the “King of Swing"--Mosaic Records has done it again. The Classic ...
Back in the Saddle Again...Sort Of
by Jack Bowers
After an absence of more than 45 years, your correspondent returned to the airwaves on December 15, 2009 co-hosting a three-hour program of big-band holiday music on KSFR-FM in Santa Fe, NM. I was invited to share a part of my CD library by Arlen Asher, one of New Mexico's finest jazz musicians, who has been ...
The Four Freshmen: The Four Freshmen and Live Trombones
by Robert J. Robbins
Over six decades ago, four undergraduates at Indiana's Butler University first joined their voices in song as The Four Freshmen and, in 1950, the quartet was heard by Stan Kenton, on whose trombone section the “Frosh" had modeled their sound. Kenton immediately demanded that the group be signed by his label, Capitol, and began an association ...
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