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Chick Corea: Creative Giant
by Esther Berlanga-Ryan
Virtuosity is a beautiful thing. One would somehow like to believe that anybody can learn how to play any given instrument with delicate, enchanting energy; but truth be told, some are simply born with a gift that most can only dream of. The ability to amaze others through music, enriching the hearts and widening the creative ...
Omar Sosa: Bringing The World To The World
by AAJ Staff
Pianist/composer Omar Sosa was born in Cuba in the first decade of Fidel Castro's rule over the island, and grew up listening to forbidden American jazz with his music school friends in secret, the radio discretely turned low, though eventually the rules changed and the music was broadcast in Cuba, too. After Cuba and a short ...
The Resonance Ensemble: Kafka in Flight
by Mark Corroto
Until the formation of The Resonance Ensemble in 2007, Ken Vandermark's writing for large ensembles had been limited to his electro-acoustic Territory Band and Peter Brötzmann's sprawling free jazz Chicago Tentet. With this 10-man group, he succeeds in what he works so very hard at with the Vandermark 5. Like V5, his working band, he is ...
40 Years of Jazz at Harvard: Cambridge, April 9, 2011
by Andrew J. Sammut
Harvard All-Stars and the Harvard University Sunday and Monday Jazz Bands Harvard Sanders Theatre Cambridge, MA April 9, 2011 Ivy League universities are known for bringing together extraordinary individuals to do extraordinary things. Yet Saturday, April 9 was an even more extraordinary night at school for Harvard students, when an honor roll ...
Michael Bisio: Stepping Into the Limelight
by Gregory Applegate Edwards
Bassist Michael Bisio has become an increasingly visual and aural presence on the jazz/improvisation scene in the time since he moved from the west coast to New York. Yet he has been a significant contributor in jazz circles for years, and success was no overnight thing. Among other ongoing associations, Bisio is currently the bassist in ...
Brian Carpenter’s Ghost Train Orchestra: Hothouse Stomp
by C. Michael Bailey
One of the beauties of long-lived music genres is if a current one becomes boring and the future looks, well, too futuristic, we can always go backwards, investigating earlier forms we may have not paid attention to earlier. And herein lies the value of Brian Carpenter's Hothouse Stomp: The Music of 1920 Chicago and Harlem. The ...
Ed Puddick Big Band / Frank Macchia / Rick Wald NY 16
by Jack Bowers
Ed Puddick Big Band Guys & Dolls Diving Duck Records 2010 The late Frank Loesser wrote at least 700 songs, more than a dozen of which are included in the score for the smash musical Guys and Dolls, which, believe it or not, opened on Broadway more than sixty years ...
Captain Black Big Band: Captain Black Big Band
by Bruce Lindsay
The man behind the Captain Black Big Band is pianist Orrin Evans. The ensemble's eponymous debut recording is a CD of such style, musicality and instrumental power that it seems only right to ensure that Evans gets the credit upfront. This is straight-ahead, swinging, big band music, recorded at three live performances in New York and ...
Lauren Sevian: Big Voice on the Big Horn
by R.J. DeLuke
Swaying slightly, with eyes closed, Lauren Sevian pours a lot of heart and grit into the big, baritone saxophone--the largest of the most commonly played saxophones and an axe that looks even more considerable when seen against her small frame. She comes out with an imposing sound and welcoming style, put forth through a striking conception.
Lions in Winter
by Greg Simmons
Recently passed jazz greats, saxophonist James Moody and pianist Hank Jones, were both fortunate enough to be making solid, vital recordings right up to the ends of their lives. Moody's 4A (IPO, 2009) and 4B (IPO, 2010) were as well-played as any he ever recorded, and Jones, who was still active in his last year at ...
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