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Count Basie: Late Night Basie
by Jack Bowers
Late Night Basie: great idea. Three tracks by the Basie Orchestra and four by other assorted groups: not-so-great idea. Enlisting Jazzmeia Horn to scat on the Basie classic “One O'Clock Jump": rather pointless. Compressing seven numbers (eight, actually) into a meager twenty-four--or perhaps more like twenty-eight--minutes (including a “bonus" track): head-scratching. Mind you, the other ensembles ...
The Best of Tony Bennett
by Chris M. Slawecki
"Tony Bennett is the best singer in the business, the best exponent of a song," Frank Sinatra once said. “He's the singer who gets across what the composer has in mind, and probably a little more. There's a feeling in back of it." Tony Bennett began his career as a singing waiter in his ...
A Fireside Chat With Tony Bennett
by AAJ Staff
This interview was first published on All About Jazz in September 2001. Tony Bennett hails from a period in Americana where style loomed larger than sustenance and men were less than men without a martini or scotch in one hand and a cigar or cigarette burning from the other. Those were the days. And ...
Tony Bennett / Bill Evans: The Complete Tony Bennett/Bill Evans Recordings
by Chris May
In the mid-1970s, when singer Tony Bennett got together with pianist Bill Evans to record The Tony Bennett/Bill Evans Album (Concord, 1975) and Together Again (Concord, 1976), Bennett was considered terminally uncool by most jazz fans under 30, and rock fans of any age. Despite a few earlier outings in jazz contexts, including an album recorded ...
One of the Boys in the Band: Discovering my Dad
by George Gozzard
George Gozzard was the baby of a pretty large family the jazz trumpeter Harry Roy Gozzard raised. Harry was one of those great working musicians we heard about in the 1930s and through the 1950s who played jazz and dance band gigs interchangeably. These were the days of months long (if not longer) engagements musicians would ...
Dorothy Ashby: With Strings Attached, 1957-1965
by John Chacona
Imagine if Sidney Bechet, Charlie Christian and Jimmy Smith were barely remembered and recordings of their music were long unavailable and known only on the geekiest corners of Discogs. That is essentially the status of harpist Dorothy Ashby. Like the three figures cited above, Ashby essentially created a language for her chosen instrument, the harp, where ...
Kansas City Jazz: A Little Evil Will Do You Good
by Con Chapman
The following is an excerpt from Chapter 2 “Stomp to Swing" and Chapter 3 “Bennie Moten and His Competitors" from Con Chapman's Kansas City Jazz: A Little Evil Will Do You Good (Equinox, 2023). Supreme Court Justice Potter Stewart once wrote that he couldn't define pornography, but he knew it when he saw ...
I Want You di Marvin Gaye: una rigogliosa foresta di simboli jazzistici.
by Maurizio Zerbo
L' approccio multidisciplinare della scuola storiografica Les Annales offre interessanti spunti di riflessione anche per lo studio della popular music, attraverso un'analisi incrociata di fonti musicali, etnologiche, iconografiche, letterarie, fotografiche e cinematografiche. Grazie al visionario quadro The Sugar Shack del pittore statunitense Ernie Barnes, la copertina di I Want You è una rigogliosa foresta ...
The Rob McConnell Sextet: Old Friends / New Music
by Pierre Giroux
Rob McConnell was a valve trombonist, arranger, composer and leader of the big band called the Boss Brass, which set a new standard for jazz writing through the use of complex passages and close section harmony, and in 1983 won a Grammy. In this digital-only release by Cornerstone Records, McConnell leads a sextet comprised of Guido ...
Ben Rosenblum, Teodross Avery, John Taylor and Others
by Jerome Wilson
This show is a mixture of older and newer jazz, featuring current artists like Teodross Avery and Ben Rosenblum and names from the past such as John Taylor and Booker Little. Playlist Henry Threadgill Sextett “I Can't Wait Till I Get Home" from The Complete Novus & Columbia Recordings of Henry Threadgill & Air ...
