Home » Search Center » Results: Conte Candoli
Results for "Conte Candoli"
Conte Candoli: Sincerely, Conte
by Richard J Salvucci
On the old Tonight Show (as in Carson, not Leno, much less Parr), I once remember “Conte Candoli unwinding a great solo on “King Porter Stomp." No surprise, I guess, for a guy who cut his teeth with the big bands of the late 1940s. But as he went into his second chorus, he quoted “Epistrophy," ...
Allison Neale: I Wished on the Moon
by Jack Bowers
There was a time, roughly half a century ago, when West Coast jazz was seen as the hippest music on the planet, its leading lights known and praised far and wide for espousing a brand of “cool jazz" that stood in stark contrast to its more heated East Coast counterpart. Much like any other trend, the ...
Sincerely, Conte
Label: Naxos Records
Released: 2014
Track listing: Fine and Dandy; Night Flight; I Can't Get Started With You; On the Alamo; Tune for Tex; They Can't Take that Away from Me; Everything Happens to Me; I'll Remember April
Weekend Extra: Shelly Manne and Friends
From 1960 to 1972 in Hollywood, drummer Shelly Manne operated Shelly’s Manne Hole, one of the great jazz clubs in the world. It was headquarters for his quintet known as Shelly Manne And His Men, which over the years included many of the era’s premier players, among them Charlie Mariano, Bill Holman, Richie Kamuca, Conte Candoli, ...
L.A. Six: Frame of Mind
by Jack Bowers
Once upon a time ('way back in the 1970s-80s) there was the peerless L.A. Four (Bud Shank, Laurindo Almeida, Ray Brown, Shelly Manne) and now we have the L.A. Six, another hard-swinging post-bop ensemble that has chosen to walk in some rather large shoes by recording a splendid debut album, Frame of Mind. With Tom Peterson ...
Stan Kenton: Germany, 1953
Between 1949 and 1951, Stan Kenton led a 39-piece band known as the Innovations in Modern Music Orchestra. The band's dreamy, Wagner-esque jazz arrangements were hip for a brief period but soon took on the characteristics of a wobbly truck transporting too much fine furniture. The orchestrations didn't click with young audiences and Kenton's musicians grew ...
Swingin' on a Riff . . . Hangin' by a Thread?
by Jack Bowers
Betty and I returned to Albuquerque on Memorial Day after attending Swingin' on a Riff, the latest in a series of marvelous semi-annual events presented by Ken Poston and the Los Angeles Jazz Institute for more than twenty years at venues in and around L.A. This one was held May 23-26 at the Los Angeles Marriott ...
In Tune or Not in Tune... That Is the Question
by Jack Bowers
Suppose a month goes by, you have a column to publish, but nothing has happened that's worth writing about. What do you do then? Read on, as the question is about to be answered. A while back there was a discussion at a Stan Kenton web site (Kentonia) about musicians or groups of ...
Fresh Sound Records and the Legacy of Recorded Jazz
by Bruce Klauber
If the importance and the contributions of jazz are measured by its recorded legacy, then Fresh Sound Records--and its founder, Jordi Pujol--must be duly recognized for rescuing a legacy that might otherwise be lost or nearly impossible to find, and for making it available to the public. Specifically, this legacy includes recorded works by ...
Did Stan Kenton Swing? You Bet Your Walkin' Shoes He Did...
by Jack Bowers
I've been listening to a lot of Stan Kenton's music recently while coming to grips with the age-old question, did the Kenton orchestra really swing? The answer, to me, is a no-brainer: Yes, Kenton swung. Liberally and often. [Note: This of course depends on how “swinging" is defined; opinions may vary]. In his own way--although he'd ...
