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Stan Kenton: Germany, 1953

Stan Kenton: Germany, 1953

Between 1949 and 1951, Stan Kenton led a 39-piece band known as the Innovations in Modern Music Orchestra. The band's dreamy, Wagner-esque jazz arrangements were hip for a brief period but soon took on the characteristics of a wobbly truck transporting too much fine furniture. The orchestrations didn't click with young audiences and Kenton's musicians grew ...

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Article: Big Band Report

Swingin' on a Riff . . . Hangin' by a Thread?

Read "Swingin' on a Riff . . . Hangin' by a Thread?" reviewed by Jack Bowers


Betty and I returned to Albuquerque on Memorial Day after attending Swingin' on a Riff, the latest in a series of marvelous semi-annual events presented by Ken Poston and the Los Angeles Jazz Institute for more than twenty years at venues in and around L.A. This one was held May 23-26 at the Los Angeles Marriott ...

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Article: Big Band Report

In Tune or Not in Tune... That Is the Question

Read "In Tune or Not in Tune... That Is the Question" reviewed by Jack Bowers


Suppose a month goes by, you have a column to publish, but nothing has happened that's worth writing about. What do you do then? Read on, as the question is about to be answered. A while back there was a discussion at a Stan Kenton web site (Kentonia) about musicians or groups of ...

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Article: Record Label Profile

Fresh Sound Records and the Legacy of Recorded Jazz

Read "Fresh Sound Records and the Legacy of Recorded Jazz" reviewed by Bruce Klauber


If the importance and the contributions of jazz are measured by its recorded legacy, then Fresh Sound Records--and its founder, Jordi Pujol--must be duly recognized for rescuing a legacy that might otherwise be lost or nearly impossible to find, and for making it available to the public. Specifically, this legacy includes recorded works by ...

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Article: Big Band Report

Did Stan Kenton Swing? You Bet Your Walkin' Shoes He Did...

Read "Did Stan Kenton Swing? You Bet Your Walkin' Shoes He Did..." reviewed by Jack Bowers


I've been listening to a lot of Stan Kenton's music recently while coming to grips with the age-old question, did the Kenton orchestra really swing? The answer, to me, is a no-brainer: Yes, Kenton swung. Liberally and often. [Note: This of course depends on how “swinging" is defined; opinions may vary]. In his own way--although he'd ...

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Article: Extended Analysis

Shelly Manne: Three Classic Albums Plus

Read "Shelly Manne: Three Classic Albums Plus" reviewed by David Rickert


Shelly ManneThree Classic Albums PlusAvid Records2012During the 1950s heyday of the West Coast scene, drummer Shelly Manne hit on a formula for sucessful albums: pick a Broadway play or television score and turn some of the best songs into swinging jazz. After the success of My Fair Lady ...

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Article: Book Review

Derrick Bang: Vince Guaraldi at the Piano

Read "Derrick Bang: Vince Guaraldi at the Piano" reviewed by Jeff Dayton-Johnson


Vince Guaraldi at the Piano Derrick Bang 390 pages ISBN: 978-0-7864-5902-5 McFarland Books 2012 Based on Derrick Bang's encyclopedic biography of pianist Vince Guaraldi, you can draw two perhaps surprising conclusions about the subject's contribution to jazz. First, Guaraldi arguably hipped more listeners to this musical form ...

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Article: Big Band Caravan

Skelton Skinner All Stars / Clare Fischer Big Band / Ron Carter's Great Big Band

Read "Skelton Skinner All Stars / Clare Fischer Big Band / Ron Carter's Great Big Band" reviewed by Jack Bowers


Skelton Skinner Allstars Big BandCookin' with the Lid OnDiving Duck Records2012 Back in the late 1950s, vibraphonist Terry Gibbs (with some help from his friends) put together an ensemble that became known as the Terry Gibbs Dream Band, took up residence in Hollywood and began blowing audiences ...

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Article: Interview

Enrico Rava: To Be Free or Not To Be Free

Read "Enrico Rava: To Be Free or Not To Be Free" reviewed by Ian Patterson


Freedom, it could be argued, is most deeply understood by those who have been somehow constrained against their will, or who have been prisoners of their own skewed vision of what it means to be free. Trumpeter Enrico Rava knows the meaning of musical freedom; he was part of the free-jazz scene of the 1960s and ...

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Article: Big Band Report

SuperSax Me

Read "SuperSax Me" reviewed by Jack Bowers


Back in the early 1970s bassist Buddy Clark and saxophonist Med Flory conceived a brilliant idea: to form a group (primarily a reed section with rhythm) that would use orchestrated arrangements of saxophonist Charlie Parker's transcendent bop solos as the basis for its music. As for a name, nothing less than SuperSax would suffice. The nine-piece ...


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