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The Dude Abides
by Mark Corroto
To paraphrase Jeffrey Lebowski, aka The Dude (or El Dudarino, if you are not into the brevity thing), “I've had a rough night, and I hate the fucking Grateful Dead, man." Actually, The Dude said the “Eagles" (and I guess I'm obliged to agree with him), but for me the Dead seem to always get under ...
Constellation
By Gina Burgess
Label:
Released: 2012
Track listing:
1. Zachary’s Czardas (G.Burgess); 2. Bercy (R.Fine); 3. Opa (R.Burns); 4.
Skirmish (N.Wilkinson); 5. Valse povero (M.Myer); 6. Montreal (R.Burns); 7.
Super Bowl Party (R.Frith); 8. Gouncort (R.Fine); 9. Damsel In Delight
(G.Burgess); 10. Trick Wick (M.Myer); 11. Vino Griego (Trad., R.Fine,
M.Myer)
Gypsophilia: Constellation
by AAJ Italy Staff
Dopo l'album d'esordio Sa-ba-da-OW! i Gypsophilia tornano con Constellation e la loro inconfondibile miscela di jazz, folk e sonorità zigane. Si parte dal brano “Zachary's Czardas" in cui troviamo atmosfere folk tipiche ungheresi grazie al violino di Gina Burgess e alla tromba di Matt Myer che supportati da una ritmica sostenuta vivacizzano il pezzo. In “Skirmish" ...
New History Warfare Vol. 2: Judges
Label: Constellation
Released: 2011
Track listing: Awake On Foreign Shores; Judges; The Stars In His Head (Dark Lights
Remix); All The Days I've Missed You (ILAIJ I); From No Part Of Me
Could I Summon A Voice; A Dream Of Water; Home; Lord I Just Can''t
Keep From Crying Sometimes; Clothed In The Skin Of The Dead; All
The Colors Bleached To White (ILAIJ II); Red Horse (Judges ll); The
Righteous Wrath Of An Honorable Man; Fear Of The Unknown And The
Blazing Sun; In Love And In Justice.
Colin Stetson: New History Warfare Vol. 2: Judges
by Mark Corroto
Saxophonist Colin Stetson's New History Warfare Vol. 2: Judges evokes the quote by cowboy philosopher and former US Secretary of Defense, Donald Rumsfeld, “There are known knowns. These are things we know that we know. There are known unknowns. That is to say, there are things that we know we don't know. But there are also ...
Matana Roberts: The Chicago Project
by Matthew Miller
Anyone who has ever seen Matana Roberts live knows the intensity and devotion that go into her music. The saxophonist rarely speaks before a Performance; the crowd enters and, from the moment the first note is sounded, a focused intensity pervades the room. This devotional quality carries over into her diverse catalogue as a leader, imbuing ...
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