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The Rebel Festival
by Karl Ackermann
On the morning of July 4, 1960, there were more than a few signs of the mayhem that had taken place the night before in Newport, Rhode Island. Newport's Millionaires Row woke up to broken store windows, overturned vehicles, and storm drains clogged with garbage and beer bottles. One-hundred-eighty-two people, mostly young, New England college students ...
Atlantic Records: More Giant Steps: An Alternative Top 20 Albums
by Chris May
Ahmet and Nesuhi Ertegun's Atlantic Records differs in one key respect from Prestige, Riverside, Impulse!, Strata-East and Flying Dutchman, the most prominent labels covered so far in this Building A Jazz Library series. Those labels' discographies consist almost exclusively of jazz. Atlantic had parallel interests in soul and rhythm-and-blues and, later, rock. This had consequences, as ...
Craft Recording's "Chet" is a Rare Win for Baker
by Patrick Burnette
"There's a little white cat out here who's going to eat you up." —Charlie Parker (to Miles Davis) Chet Baker and Miles Davis. Two trumpet players born three years apart. Both unusually handsome and slight of build. Both lacking, as trumpeters, the qualities most often associated with those brass alphas of the jazz ...
Results for pages tagged "Connie Kay"...
Connie Kay
Born:
Connie Kay will forever be remembered as the legendary drummer/percussionist for the Modern Jazz Quartet. Self-taught on the drums, Kay played in the mid-'40s with Sir Charles Thompson, Miles Davis, and Cat Anderson. He was in Lester Young's quintet off and on during 1949-55, a time in which he also worked with Beryl Booker, Stan Getz, Coleman Hawkins, Charlie Parker and others. In February 1955, he joined the Modern Jazz Quartet (MJQ), traveling the world with the band up until it called it "quits" in 1974. During that era he also was a guest on small-group sets with Chet Baker, Cannonball Adderley, Jimmy Heath and Paul Desmond with Jim Hall
The Modern Jazz Quartet and the Third Stream (1956 - 1961)
by Russell Perry
As the Modern Jazz Quartet, members of which were once Dizzy Gillespie's rhythm section in the 1940s, moved into the 1960s, they continued to swing in their own quiet way, even as their music director, pianist John Lewis, explored the third stream, a synthesis of jazz and classical music. Having been founded in 1952, the MJQ ...
Monty Alexander: Still Rolling
by Geno Thackara
If there's one defining quality to Monty Alexander's music, it's joy. An unmistakable undercurrent of happiness has been constant across several decades, dozens of recordings and countless performances all over the world. He could be honoring classic jazz balladeers, exploring the danceable “riddims" of his native Jamaica or anything in between, and you can always hear ...
Sonny Buxton: Strayhorn’s Last Drummer, A Radio Master Class Mid-Day Saturdays
by Arthur R George
Sociologist, anthropologist, historian: storyteller, raconteur, entrepreneur and griot, in the guise of a deejay. Registrar, dean, professor: The jazz class of Sonny Buxton is barely concealed as entertainment within his weekly radio program every Saturday 10 a.m. to 2 p.m. Pacific time on San Francisco Bay Area FM station KCSM 91.1, streaming live on kcsm.org.
Ron Carter: Detroit Jazz Festival 2016 Artist-In-Residence
by C. Andrew Hovan
As the artist-in-residence for the 37th Annual Detroit Jazz Festival, Ron Carter maintained an active role in both the artistic and educational functions that accompanied this distinguished position, made even more extraordinary by the fact that it was all happening in his hometown. Having teamed with Pat Metheny last year for a stellar duo ...
Glenn Zottola: A Jazz Life - On the Road and In Demand
by Nicholas F. Mondello
Part 1 | Part 2 | Part 3 World-renown trumpeter, saxophonist, musical director, producer and entrepreneur. These are but a mere handful of words that describe the vast talent in Glenn Zottola's bag of musical marvels. There are others: child prodigy, creative genius, “musical natural" and aural savant also percolate rapidly to mind. Now ...
A Remembrance of Percy Heath
by R.J. DeLuke
This article was originally published at All About Jazz in May 2005. Percy Heath could play the hell out of that big contrabass. Played it for more than half a century. With Bird and Miles and Diz and 'Trane and Brownie and the venerable Modern Jazz Quartet and on and on. And ...
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