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Connie Crothers
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As performer and recording artist, Connie releases her deepest feeling—her source—into the music, creating a wide range of expression and a virtuosity which is based on her desire to discover everything she can hear and imagine through spontaneous improvisation. In 2015, she performed solo in Kassel, Germany, at Staats Theater. The reviewer Von Georg Pepl, under the headline “Fantastic Adventure,” called it “a magnificent solo concert.” She performed at the Vision Festival with dancers Elaine Gutierrez and Elaine Cray, MoralesDance, at Judson Memorial Church, NYC During the year, Connie’s performances featured a number of musicians in a variety of contexts
Pearring Sound: Nothing But Time
by Karl Ackermann
A protégé—and collaborator—of the late, great pianist Connie Crothers, Colorado native, and Brooklyn resident Jeff Pearring has a wide-ranging background encompassing genre from reggae to classical, to jazz. Beyond a physical resume, it is his relationship with Crothers where Pearring reveals himself to be a voracious student of musical history with an equally insatiable appetite to ...
Meet Jacob Cartwright
by Tessa Souter and Andrea Wolper
Our August Super Fan is a visual artist with a special affinity for improvisational music, which has spilled over into his jazz-themed painting series. In jazz, as in art, Jacob Cartwright values the past while embracing the forward momentum of the new. Plus he's really “down with the jazz cats"--read on to see what we mean! ...
Meet Mark Weber
by Tessa Souter and Andrea Wolper
Almost every aspect of Mark Weber's life ends up intersecting with jazz; he just might be the original Renaissance jazz fan. A former wedding photographer, he found himself photographing nearly every jazz musician to pass through Los Angeles and Albuquerque in the past several decades and, without planning to, ended up writing for CODA, deejaying a ...
Jeff Cosgrove / Scott Robinson / Ken Filiano: Hunters & Scavengers
by Mark Corroto
In the 1980s, artist Jenny Holzer created short, pithy statements projected by LED lights in museums and onto Times Square. Her now famous “Abuse of Power Comes As No Surprise" text sums up not only the #MeToo movement and the #BlackLivesMatter cry, but also to some extent, the music industry. The vertical construction of many jazz ...
Paula Shocron: Paths to a New Sound
by Jakob Baekgaard
When Werner X. Uehlinger, the founder of Hat Hut Records, was asked about a statement on why he liked Argentinian pianist Paula Shocron's music, the answer was clear, short and succinct: “The quality of surprise." Uehlinger discovered Shocron's music through her work with the SLD Trio and he liked their debut Anfitrión so much that the ...
Pearring Sound: True Story
by Karl Ackermann
Colorado native Jeff Pearring began studying the alto saxophone at the age of ten but pursued a career in economics before turning back to music. With a broad range of experiences that encompassed symphonic bands, ska and reggae, it was Pearring's affinity for jazz that guided him upon arriving in New York. Pearring studied with Connie ...
SLD Trio: Tensegridad
by John Sharpe
Out of Argentina comes splendid entry into the piano-trio stakes. The three young protagonists, pianist Paula Shocron, bassist Germán Lamonega and drummer Pablo Diaz loom large on the Buenos Aires' creative music scene and have already made connections in NYC, resulting in Emptying The Self (NendoDango Records, 2017) where William Parker takes over the bass chair. ...
To Be Continued (Carol Liebowitz, Claire de Brunner, Daniel Carter, and Kevin Norton): Poetry from the Future
by Roger Farbey
This leaderless improvising quartet utilises some unusual instruments on their recording. Bassoon is rarely heard outside of classical music and Claire de Brunner is an excellent exponent of the instrument. She studied jazz improvisation with Lee Konitz. She also studied with pianist Connie Crothers as did Carol Liebowitz, whose restrained yet vital contributions are nearly as ...
Carol Liebowitz / Nick Lyons: First Set
by Jerome Wilson
The improvising legacy of Lennie Tristano continues to this day. It went through his student, the late Connie Crothers and it continues in this live set by two musicians she influenced, pianist Carol Liebowitz and saxophonist Nick Lyons recorded at Crothers' loft in 2012. This duo does, in the old Tristano fashion, improvising rooted ...
