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Album

Next Generation

Label: Concord Music Group
Released: 2006
Track listing: Prelude For Vibes; My Romance; 'Ques Sez; Get Up And Go; B & G; A Dance For Most of You; Walkin' In Music; Summer Band Camp; Fuga; Clarity.

368

Article: Album Review

Ray Charles & the Count Basie Orchestra: Ray Sings, Basie Swings

Read "Ray Sings, Basie Swings" reviewed by Martin Gladu


There is no recipe for success...or is there? Concord's Ray Sings, Basie Swings, reminiscent of past crossover duos, draws upon state-of-the-art technological means to propose a premium posthumous montage. Does this sound formulaic and forced? Maybe, but in the end, they credibly made it more musically attractive than say, yet another best of greatest hits compilation.

212

Article: Album Review

Sonny Stitt: Stitt

Read "Stitt" reviewed by George Kanzler


Are ideas floating out there to be had by anyone? Or do they emanate exclusively from specific individuals? And how do they apply to the creation and development of bebop? Sonny Stitt is at the heart of this conundrum. As an alto saxophonist, he always fell under the shadow of Charlie Parker and was often accused ...

481

Article: Album Review

Vince Guaraldi: A Charlie Brown Christmas

Read "A Charlie Brown Christmas" reviewed by Jim Santella


This 1965 soundtrack has become ingrained in our minds through repeated leisurely holiday seasons with the family in the living room. They're great memories, brought to us by a stellar jazz piano trio that was always on top of the situation. Together, they gave us a no-nonsense setting. Each traditional Christmas song and each Guaraldi original ...

213

Article: Album Review

John Patitucci: Line By Line

Read "Line By Line" reviewed by Martin Gladu


Perhaps because of his extensive association with iconic leaders like Chick Corea, Wayne Shorter and Herbie Hancock, John Patitucci was deservingly given carte blanche by Concord Records ten years ago. The versatile bassist remains a first-call player on both the acoustic and electric instruments, as well as a role model to many aspiring bassists (exemplified by ...

592

Article: Album Review

Vince Guaraldi: A Charlie Brown Christmas

Read "A Charlie Brown Christmas" reviewed by David Rickert


If you were born in the sixties or later, there's a good chance that your first exposure to jazz was through the Peanuts Christmas special. Today the whimsical music of Vince Guaraldi seems inseparable from this holiday classic, but it almost didn't happen that way; producer Lee Mendelson originally envisioned either Dave Brubeck or Cal Tjader ...

282

Article: Album Review

Ben Riley's Monk Legacy Septet: Memories of T

Read "Memories of T" reviewed by J Hunter


Thelonious Monk's place in jazz is quite intact. In addition to the archival efforts of his son, drummer T.S. Monk, plenty of players have overcome the intimidation factor that goes with tackling Monk's singular sound. The issue is not whether Monk covers appear with the same frequency as covers of Ellington or Armstrong; rather, it is ...

306

Article: Album Review

John Patitucci: Line by Line

Read "Line by Line" reviewed by J Hunter


After the brilliant chaos of the Wayne Shorter quartet, it's entirely understandable that John Patitucci would want to try something a little more sedate. Line by Line gives the versatile bassist a chance to go places we might not expect. The trip is interesting, though the destinations sometimes are not. Patitucci is all over ...

208

Article: Album Review

John Patitucci: Line by Line

Read "Line by Line" reviewed by Jim Santella


With guitarist Adam Rogers and drummer Brian Blade, John Patitucci explores jazz's modern mainstream on this program of original compositions that comes complemented by several timeless pieces from the larger pantheon. They're joined with saxophonist Chris Potter for a part of the program, while Patitucci works with a small string ensemble on two other selections. He ...

286

Article: Album Review

Scott Hamilton: Nocturnes & Serenades

Read "Nocturnes & Serenades" reviewed by Nic Jones


Scott Hamilton doesn't fix a thing here, but then when nothing's broke, there's no need to make such an effort, especially when what he does instead is prove that he has spent decades becoming himself. There are here no more than residual echoes of all the tenor sax players who've mined this fertile musical seam in ...


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