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The Ascent of the Tenor - Coleman Hawkins (1929 - 1939)
by Russell Perry
The clarinet dominated the reeds throughout the 1920s. Sidney Bechet made a stand with the soprano sax and Frankie Trumbauer celebrated the lightness of the C-melody sax. And then there was Coleman Hawkins. Our guest in this hour is Jeff Decker—saxophonist, composer, educator and member of the jazz performance faculty of the University of ...
The History Of European Jazz: The Music, Musicians And Audience in Context
by Ian Patterson
The History Of European Jazz: The Music, Musicians And Audience In Context Various authors/Edited by Francesco Martinelli 741 Pages ISBN: 13 978 1 78179 446 3 Equinox Publishing 2018 It's taken some time, about a century in fact, but finally, thanks chiefly to editor and jazz historian Francesco ...
Classic vinyl remasterings from Storyville
by Chris Mosey
In time for the festive season, the Copenhagen label Storyville is reissuing three classic albums from its archives remastered on 180-gram vinyl: Charlie Parker In Sweden, 1950; Ben Webster Plays Ballads; and Sahib Shihab's “lost" minor masterpiece Sentiments. The Charlie Parker album was recorded on November 24, 1950 at a concert in the ...
Up In Harlem - The Bands (1924 - 1929)
by Russell Perry
In the last hour, we explored the jazz of King Oliver's Chicago in the 1920s, and heard from The New Orleans Rhythm Kings, clarinetists Jimmy Noone and Johnny Dodds, pianists Earl Hines and Lovie Austin, cornetist Freddie Keppard and trumpeter Jabbo Smith. Now we move to the other emerging center of the music, New ...
Charlie Parker: Now's The Time
by Karl Ackermann
In the pantheon of jazz saxophonists, Charlie Parker has been among the most transformational of artists, despite not living nearly long enough to fulfill his potential. Parker's lifetime, as a principal architect of bebop, and a self-destructive force, has been documented ad nauseam but his music continues to significantly influence new generations. Since Parker's death in ...
Jazz Musician of the Day: Coleman Hawkins
All About Jazz is celebrating Coleman Hawkins' birthday today! Coleman Hawkins single-handedly brought the saxophone to the prominence in jazz that the instrument enjoys. Before he hit the scene, jazz groups had little use for the instrument. One player (forgot who) said, “with all due respect to Adolph Sax, Coleman Hawkins invented the saxophone." Hawkins, or ...
Dexter Gordon Quartet: Espace Cardin 1977
by Karl Ackermann
Dexter Gordon left us almost three decades ago, but his presence in 2018 has virtually brought him back to center stage. The release of his biography Sophisticated Giant: The Life and Legacy of Dexter Gordon (University of California Press) by his wife Maxine Gordon, and the previously unreleased Dexter Gordon Quartet Tokyo 1975 (Elemental Music) have ...
Big in Japan: A History of Jazz in the Land of the Rising Sun, Part 1
by Karl Ackermann
Part 1 | Part 2The music market in Japan--second only to the U.S. in terms of revenue--generates more than two-billion dollars in sales annually. Enthusiasts and collectors of jazz recordings had long ago discovered that Japan's robust music scene, and the now virtual accessibility to products have made the country a go-to resource for ...
Alan Broadbent: Intimate Reflections on a Passion for Jazz
by Victor L. Schermer
Pianist, composer, and arranger Alan Broadbent doesn't just “dig" jazz. He has a deep and enduring passion for it. Growing up in mid- 20th-century New Zealand, he quickly went beyond piano lessons to reading musical scores and learning jazz standards. Then, when the Dave Brubeck Quartet came to his relatively isolated hometown of Auckland, his love ...
Sco in Baton Rouge, Okazaki vs. Monk, Sax-less Trane covers & more
by Marc Cohn
This week we fired up the locals for the super John Scofield Baton Rouge concert on October 4th; did a Miles Okazaki/Thelonious Monk compare & contrasts with two of Monk's most challenging compositions; played sax-less Trane covers from guitarist Simone Manunza & Jessica Williams solo at the 88s; and spun some 21st century jazz that caught ...
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